By firstname.lastname@example.org (Alexandra Sokoloff)
This month is Women in Horror Month. Don’t ask me how these things get decided! But since February has Valentine’s Day, Mardi Gras and Leap Day, and is also the shortest month of the year and the only month of the year that actually changes in number of days – and is closest to a true moon cycle! – I guess there’s some kind of psychic sense to it.
Actually I never remember it’s Women in Horror Month until I start getting Google Alerts because I’m showing up on the lists of female horror authors to read.
Obviously this is something I’m very grateful for, but it always surprises me these days, because I’m not writing horror any more – something I’m not really sure people in the horror community know, because that community tends to be sort of insular. Maybe all genres are sort of insular.
As a matter of fact, I had a very short tenure writing horror. My first two books, The Harrowing and The Price, are really the only books I’ve written that I could classify as horror. My third book, The Unseen, was really a mystery/suspense – with poltergeists. My fourth, Book of Shadows, was when I really started moving into crime, although there is a strong possibly supernatural element in that book as well.
I started moving away from horror as a genre because I didn’t feel comfortable being associated with a lot of the books in the genre. I was actually having this conversation quite recently with another one of the female authors who always gets on those lists this month. We had the exact same very strong feeling about it: the horror genre – in all media – has been brought to a very low, base level by torture porn and rape, with overwhelmingly female victims.
I find it disgusting and harmful and it doesn’t deserve to be listed with the true psychological horror of Jackson, Lovecraft, Shelley, DuMaurier, King, Poe – the great explorers of the dark side.
(I am often asked to blurb books and I find it surreal that I have had to start telling male writers up front: “I won’t read or review anything with rape scenes – unless you’re honestly exploring your own fear of male-on-male rape.” Same goes for torture. There is somehow not even the basic awareness that scenes like that would bother me.)
There’s also a widely acknowledged bias in the industry against female horror authors (probably one of the reasons there’s a Women in Horror Month to begin with.) That bias didn’t ever affect me in a practical sense because I quickly moved into writing and publishing very dark thrillers rather than overt horror. Quite possibly being a female author in a male-dominated genre got me more attention for my first two novels than I might have gotten if I were writing straight mystery or crime, because so few women were writing full-length horror at the time. But that attention was probably cancelled out by the fact that horror is a lesser-read genre which doesn’t pay as well as the crime/thriller genre.
I love both genres. I went back and forth and crossed the two as a screenwriter, too. But I’m a full-time writer, so I’m not going to struggle against a genre that brutalizes women AND doesn’t pay as well as the thriller genre. What possible sense would there be in that?
And practicality aside – I find the crime genre a better fit for my own themes as a writer. My writing is largely an exploration of good and evil, and nothing supernatural could possibly be more horrifying to me than the evil that people do. And I mostly mean what MEN do: serial killing, rape, child molestation, torture, genocide, war crimes. These are largely male crimes – so why aren’t we being honest about that fact? How can we prevent and heal the ravages of those crimes without being honest about root causes?
Those are questions I’ve found I can explore more fully in a crime novel. I can use the examples of real crimes. I can hint at practical societal solutions.
But I also think that my tenure as a horror writer taught me how to bring that sense of true evil into my crime novels, and continues to help me provide a touch of the sensual thrill of the uncanny – that sensation I love in a good psychological horror tale. It was the right place to start, and I’m sure it’s only a matter of time before I’ll be tempted back to the dark side again.
So readers – do you read in the horror genre as well as in crime, suspense, mystery and thrillers? Or does the genre give you pause, maybe for the same reasons I wrote about above?
And authors, have you dabbled in the dark side? Or, horror aside, have you made a genre switch for practical or thematic reasons?
For Women in Horror month, my boxed set Haunted is on sale – three complete scary novels for $5.99.
Via: Alexandra Sokoloff