Sleepless in … Los Angeles. Please give a warm Murderati welcome to – our very own Brett Battles!

You may recall, at the beginning of March, Brett very kindly did an interview/review for the US publication of my Charlie Fox thriller, FOURTH DAY. It was an absolute pleasure to be able to return the favour with his latest – the excellent THE SILENCED. I confess I’d put off reading this book – but only because normally, reading on screen makes my eyes go a bit square, but this one no hardship at all! Highly unusually for me, I read it straight through in about a day and a half. Yeah, once the story grabs hold it really doesn’t want to let go.

Brett, as you all probably know, is the award-winning author of three previous books in the thriller series centring around Jonathan Quinn, whose chosen profession is that of covert cleaner. He’s the man who knows exactly where the bodies are buried – mainly because he’s the one who put them there. THE SILENCED is the fourth outing for Quinn, accompanied by his deadly companion, Orlando, and young apprentice, Nate, on a deadly chase across America from west to east coast, and then on to Paris and the UK.

Zoë Sharp: So, Brett – sitting comfortably? Is that spotlight OK? Electrodes not pulling out too many hairs, I hope? Duct tape allowing some circulation?

Brett Battles: Uh…help?

ZS:  So, let’s begin. You were one of the original KILLER YEAR authors – the class of ’07. For those of us with the attention span of a goldfish, can you remind us how that all came about, and how much you feel it helped kick-start your career?

BB: Ah, yes. KILLER YEAR. It started back in 2006. There were several of us with books coming out in 2007 who had taken to blogging as a means of interacting and getting our names out there. We started following each others’ posts, sharing information, and becoming friends. We were always talking about how hard it was to get attention and market our books. I’m not sure who mentioned it—Jason Pinter or our own JT, one of those two, I think—but someone said if only we could band together, it would be easier to be heard. Instantly a big giant light blub went off over our heads, and within minutes a tag line came to me: It’s Going to be a Killer Year. Jason or JT shortened this to KILLER YEAR, and we were off.

It was great! And did exactly what we hoped, especially within the Thriller and Mystery community. When we showed up at conferences, people already knew who we were. Other members included former Murderati folks Toni McGee Causey and Robert Gregory Browne, and also Bill Cameron, Sean Chercover, Marcus Sakey, Dave White, Marc Lecard, Gregg Olsen, Patry Francis, and Derek Nikitas. We got an anthology out of it (KILLER YEAR: STORIES TO DIE FOR edited by Lee Child—that was almost all JT’s doing – thank you JT!) Also, the debut novelist program that ITW runs now is a direct offshoot of KILLER YEAR.

ZS: Where did the character of Jonathan Quinn originally come from? And did the name arrive all of a piece, or did you agonise over it?

BB: I didn’t agonize, but he didn’t arrive fully formed either. I knew I wanted to write an international espionage type story, but I didn’t want to do an assassin or super spy. There were enough James Bonds and Jason Bournes and John Rains in the world. I wanted to do something different. I also have this fascination with the concept I refer to as “what happens after?” By that I mean what happens after the main event occurs. We get news articles about accidents or murders or robberies or whatever, but we seldom ever get the follow up stories of what happens after these things occur. I consider Quinn an “after” character. He gets to work after the main action goes down, though he then is often pulled into creating some of that action himself. So I thought about him for a while, and he slowly took shape, and when I finally felt I had a good idea of who he was, I started writing.

ZS: Quinn’s character is a cleaner – he moves in and deals with the aftermath of death, cleaning up and disappearing the bodies. On the surface, he doesn’t sound like a very sympathetic character. How do you go about combating that?

BB: Good point. I definitely wanted him to be sympathetic, and knew I had to be careful there. Part of what I did was basically give him a personal moral/ethical code that included working for agencies and governments he feels are doing the right thing. This is something, of course, he can’t always know for sure, and could put him in the situation of working for someone he thinks is doing right, but who is actually doing something underhanded. I also try to show that he has a clear human side and cares about things. Though he might try to hide it sometimes, it’s always there, right underneath.

ZS: In THE SILENCED, the character of Liz asks Nate if Quinn is a criminal. He replies that Quinn is possibly the most honourable man Nate has ever met, but doesn’t that side-step the question slightly? After all, Quinn is a freelance operative – he works for the highest bidder, even if he does reserve the right to walk away from jobs he doesn’t like. Did you set out to give him this conflicted set of morals – this ethical dilemma – right from the start?

BB: Yes on all fronts. Definitely side-steps the issue. To many people there’s no question he’d be called a criminal. And I love the internal conflicts this causes him. In my mind, his job is slowly eating away at him from the inside.

ZS: I particularly liked the deceptively simple narrative style of the book, and the straightforward description of the action scenes – you let the action speak for itself rather than trying to over-dramatise something that is, by its nature, already dramatic. How do you go about putting together something like the scene with Nate and Julien’s colleagues in Paris?

BB: Thanks, Zoë. I appreciate that. I wish I could tell you that I sit there and plan everything out and find the best way to tell it, but, honestly I don’t. On that particular scene, I remember thinking, “Okay, Nate needs to go here, and find what he finds, and run into one of Julien’s colleagues,” then putting my hands on the keyboard and just writing it. Turned out he didn’t find just one of Julien’s colleagues but several, and I didn’t know that until it happened.

As far as action scenes themselves, I don’t know how to write them any differently than I do. It’s just the way they come out of my brain. And, like you said, scenes like that are already full of tension. I don’t need to go over the top.

ZS: And, following on from that, what are your pet hates in action narrative? What really pulls you in, and what throws you out of the story?

BB: Over description kills it for me. It makes me aware that there’s a writer behind the words, and takes me out of the actual story. Show me what needs to be shown, keep the tension high, and get to the point. That’s what works for me.

ZS: The supporting characters of Orlando, Liz and Petra are very interestingly portrayed and fleshed out. Are you in touch with your feminine side? Erm, I mean, how easy do you find it to write opposite-gender characters?

BB: Hahaha… I actually love writing female characters, in fact, sometimes they are the strongest characters in my stories. Orlando is often Quinn’s conscience and sounding board. She keeps him focused when he begins to wander off. In THE SILENCED Liz is great, too, as is Petra. These are all women who are sure of themselves while still having doubts and questions like any normal person would have. Am I in touch with my feminine side? I try to be, but that’s for others to judge, I guess.

ZS: It seems that many publishers, if they find a character they like, push for a series rather than standalones? Did you set out to write a series from the outset, or was it publisher-driven?

BB: I didn’t set out to write a series, but by the time I sold THE CLEANER I was thinking that way. A friend and former mentor was the one who mentioned the possibility to me. When he said, “I think you could have a series here,” it was like one of those hit yourself in the forehead moments. Of course, it was the first of a series. Why didn’t I see that?

ZS: The action of THE SILENCED shifts from your home city of LA, across to Maine and New York City, then on to Paris and London. I noticed with a smile the scene that takes place in the lobby of the Grand Hyatt in NYC, as it’s a familiar location to any ThrillerFest attendees and a nice nod to the genre. How did you go about researching the other locations of your novel?

BB: I’m big on location scouting. I love to travel, so I often plan my travel around stories I want to write. Such was the case with the London and Paris locations. I went there specifically because I wanted to feature them in the story, and took tons of pictures and notes and must have walked dozens of miles while I was there. The Hyatt in NYC I’ve been to many times, of course, and thought it would be a kick to set a scene there given that Thrillerfest and the Edgars are held in the building. As for the scenes in Gorham, Maine, I have a good friend who lives there. In fact, the house in question is loosely (very loosely) based on hers.

ZS: You’ve mentioned previously that you’re not an outliner – preferring to come up with the initial idea, maybe bullet-point the plot – and see where the writing takes you. Is that still the case? If so, how many drafts do you typically go through to get to the finished work? How much does the final version usually differ from your first draft, and in what respects? Major plot points? Minor elements? Any examples spring to mind with THE SILENCED?

BB: That’s pretty much still the same way I work. I’ve tried to do more detailed outlines, but a) they’re a chore, and I don’t want writing to be a chore, and b) once I start writing the book from an outline, I feel like I’m straight-jacketed and am just typing more than writing. The way I work is exactly how you described: a few ideas, maybe some bullet points, and usually a handle on where I want to end up, then go. I sometime refer to my first draft as a 300+ page outline. Rewriting is the key. I’ll do anywhere from four to six rewrite passes these days, with the first two or three being major passes and the others more clean up and polishing passes. I can’t recall specifically any huge changes in THE SILENCED, but there is one from THE CLEANER that I’ve cited before. In the version I sold, so that would already be draft three or four at that point, I had killed Nate off in the first 80 pages. Readers of the series know that here we are in book four and Nate’s still around. That’s because a smart editor convinced me it was a mistake to kill him off, and she was definitely right. I should point out that with the earlier books I had to do more rewrite passes than I do now, but that’s because, hopefully, I’m not making the same mistakes as much. I definitely try to learn from each book to the next.

ZS: Who are your first test-readers and what made you choose them/stick with them?

BB: The two I use (read abuse) for most books are Bill Cameron and Tasha Alexander. They are both great writers, and I trust their opinions. Bill and I often talk for an hour or more after he’s read a draft, going over all the points. They have both definitely made my books better. I’ve also started expanding my Beta Readers group. I’ve even roped Rob in to reading my latest.

ZS: I see you have a brand new Jonathan Quinn short story available in eFormat – ‘Just Another Job’. Will this also be available for us paper dinosaurs? Are you a frequent short story writer? I note that your story ‘Perfect Gentleman’ came in for particular praise in the KILLER YEAR anthology. What attracts you to short stories, and how did ‘Just Another Day’ come about?

BB: No plans just yet to bring the shorts out in paper. Perhaps once I have several I can package them together. I haven’t written many in the past, but I do have plans on writing more in the future, including several Quinn shorts from when he was just starting out…basically Quinn origin stories. ‘Just Another Job’ was something I did as a web exclusive for a member-only site a year or so ago, and was now able to make available for others to read. I do enjoy writing shorts, but sometimes find that it’s easier to come up with an idea for a novel than a short story. Don’t ask me why.

ZS: I see that as well as THE SILENCED you also have the first book in a new series with a new main protagonist, Logan Harper – LITTLE GIRL GONE. Tell us about this new departure? Why have you deviated from the Jonathan Quinn series? What avenues does Harper allow you to explore that Quinn didn’t?

BB: First let me say that I love Quinn, and will continue writing Quinn, but I’ve been feeling pulled lately to also write stories that are outside his world. Logan gives me this opportunity. Logan’s a former soldier and defense contractor who has returned to his hometown after losing his job and his wife over a crushing experience while in Afghanistan. He’s now just trying to make it day-by-day working at his father’s auto garage in the small California coastal town of Cambria. One morning when he makes his normal stop to get coffee at a shop owned by his father’s friend Tooney, he finds a man in back holding a gun to Tooney’s head. From there, Logan is thrust into a search for Tooney’s missing granddaughter that takes him first to Los Angeles, and then to Bangkok and finally to the beautiful Wat Doi Suthep temple above Chiang Mai, Thailand.

Logan allows me to have more of an everyman hero—albeit with some advanced training. He’s not a professional like Quinn. He doesn’t work for agencies or organizations. He just helps people, sometime reluctantly, while he tries to deal with his own demons.

I really love getting into Logan’s world, and am extremely happy with how LITTLE GIRL GONE has turned out. It’s been getting a lot of great response that I am very grateful for.

ZS: We’ve actually been to Cambria – lovely place, and we ate at a wonderful little restaurant that played Harry James and served terrific duck quesadillas. But I digress… So, what else is on the horizon for you?

BB: I have another book coming out later in April called SICK. It’s quite possibly the most suspenseful book I’ve ever written. And a story that will keep you guessing until the end. Oh, and then there’s the first in my new YA series, HERE COMES MR. TROUBLE. That will hopefully be out early May. At that point I may curl up into a ball and sleep for a year.

ZS: Well, Brett, it’s been real pleasure. One final question before the gag goes back on – what IS the best way to get rid of a body? Any last-minute cleaning tips I should know about…?

BB: I’d love to tell you, Zoë, but I can’t give away any trade secrets. I’m sure you understand. Thanks for having me! I’ve enjoyed it here at, what did you call this place? Murder-at-i? Well, whatever. Thanks!

I let Brett chose this week’s Word of the Week (think of it as a kind of last request) and he came up with shoice, which means when presented with several options to choose from, shoice is the option “choice” you “should” make.

17 thoughts on “Sleepless in … Los Angeles. Please give a warm Murderati welcome to – our very own Brett Battles!

  1. Alafair Burke

    Yes, when I think of Brett, I think femininity 🙂 Congratulations on the new book. And thanks, Zoe, for the Q&A. It's nice when we get to read about our very own work!

  2. Brett Battles

    Why, Alafair…do I detect a bit of doubt? 😉

    Just wanted to let everyone know I'm at the RT Booklovers Conference today, but will try to check in when I can…(I have two panels and a breakfast I have to do, so it will be spotty, but I'll get to you!)

  3. Jason Pinter

    Hey Brett, congrats on the new book! I have to give credit to coming up with the name 'Killer Year'. As I recall, it stemmed from a blog post I wrote marveling at all the incredible talent publishing their first crime novels in 2007. J.T. posted a comment along the lines of, "It's gonna be a killer year!" And a light bulb just turned on.

    As you know I read this book and loved it. Hope it flies off the shelves (and clogs the Interwebs too).

  4. pari noskin taichert

    Great questions, great responses. I really enjoyed this interview. Thanks to the both of you.

    Brett, I hope the wrists and ankles don't hurt too much when the circulation starts up again.

  5. Jason Pinter

    I'll have you all know that Mr. Battles, if that is his real name, just sent me the following note:

    "I have to call you out, my friend.
    From the comments on your blog post of June 7, 2006:

    Brett Battles said…
    Oo, oo, oo. In the tradition of sappy high school traditions everywhere.
    I've got a tag line for us!!


    and for shorter marketing purposes:

    2007 A KILLER YEAR

    HA! Take that Mr. Younger-than-me-and-should-have-a-better-memory!


    So to clarify, here is my original post proposing a 'class' of 2007 debut authors (inspired by a blog post by Sarah Weinman which can be found at My respons eto Sarah's post can be found here (, which includes Brett's comment.

    And the post from the very next day announcing KILLER YEAR:

  6. Christina B.

    This probably doesn't paint me in the best light, but I've had Murderati in my google reader for forever (which I added a while ago, to be perfectly honest, b/c I've read and really enjoyed Allison Brennan's books) but I usually "mark as read" without reading or I skim. Embarrassing, I know. But law school leaves me little time for reading that isn't in any way connected to subjects like, say, the laws of armed conflict, and even less time to spend discovering authors I might like to read during that nirvana-like time we call summer.

    And that's my really long-winded way of saying, I'm so glad I took the time to read this! It was the cover of Little Girl Gone that caught my eye in a post I read recently, and it caught my eye again today and made me read. That cover is totally full of awesomesauce! And your Jonathan Quinn books look like they're right up my alley, I read a chapter and can't wait to read more! I love international thrillers, and am always hoping I'll find the time to look for authors similar to those I've read and enjoyed like Alex Berenson, Barry Eisler, etc. So I added your books to my TBR pile and can't wait to get reading after finals in May!

    This comment is getting long–I apologize–but do you have more information on your YA series listed somewhere? I read a lot of YA, or at least I do over the magical months of May-Aug, so I'm always looking for new a series to add to my TBR (even though it's currently blocking out sunlight, it's so big). I also write YA in my spare (ha) time, it's a fun age range.

    One final thing (Sorry it's so long–this is probably why I don't usually comment. Or twitter.)–just a rec, but you should see if you can get your other kindle editions on amazon connected to your amazon author page (basically so your name is clickable), b/c when I viewed it you only had 4 kindle books listed and I had to search for Little Girl Gone separately. Not a biggie, but just thought I'd let you know in case you didn't already!

  7. JT Ellison

    I am grinning ear to ear – I hadn't thought of our beginnings as Killer Year in quite a while. What a crazy year that was! It was you, Brett, who coined the phrase, as I did Class of 2007, and Jason got us all on the map with that great blog which really should be a master's class in format options for new writers – hey Jason – maybe you can revisit that and add your thoughts on ebooks… then Sarah picked up on it and things mushroomed. Remember that moment of panic we all had when Sarah's post went up and we all three realized at the same time that we had "something" And the frantic emails on setting up the blog and getting the TShirts for Thrillerfest? Hee…

    God, the world's changed, hasn't it.

    But I wouldn't trade it for the world. And dear Brett, it is so, so exciting to see your hard work paying off. I can't wait to read the new books. It's hard to believe it's been 6 years already. Great interview, Z & B!

  8. Jason Pinter

    So funny that Killer Year wasn't started all 'that' long ago, but ebooks were such a non-factor in the market that I didn't even mention them in that blog post. If I were to write that post again today, it would be completely different, especially factoring in the Borders mess.

    Fond memories. Great friends. I'm getting a little verklempt…

  9. KDJames

    Zoë, I love your interviews. Another great one here.

    Brett, your profligacy, er, prolificence, um, damn, whatever that word is that means "ability to write a huge amount of words in a ridiculously short time." That. It's astounding. (And I still sort of hate you for it.) (Just a little.)

    I realized last week after I bought both your and Rob's shorts (stories, people, clean it up) over at Amazon that I already have them in the copy of Thriller Year that Bill Cameron sent me as an unexpected bonus when he sent me his backlist about a year ago when I won an auction thingy. [Bill Cameron is a very nice guy, in addition to being a terrifically talented writer. In case you all didn't know that.] And since I do have the attention span of a goldfish, I figure it's more likely I'll read them as ebooks than in print. Seeing as how I've had that book for almost a year now and seem to have lost track of it in the Towering Pile of Unread Tomes.

    Looking forward to reading the others listed here as well. Also looking forward to you taking that long — and one assumes non-profligate, or at least less shamelessly productive — nap you mentioned.

  10. Reine

    Brett, I love that! "Shoice!" Wow, whatta great word! And congrats on the new book – on my list… right now.

    Fantastic interview, Zoë!

  11. Brett Battles

    Thanks, everyone. Finally back from an exhausting day at the RT Convention. Appreciate all the comments. And special thanks to Zoë for giving me some great questions to answer!

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