by Stephen Jay Schwartz


 “It’s smokey, I think.”

“To me, it’s a burnt, sweet smell,” I say.

“It’s amazing how strong it is,” he says. Tyson runs his hand through his hair and I know he’s imagining the sweet, burnt smell coming off on his fingers.


We saw a bowl of them at the Coroner’s Office. Blackened, dehydrated. Jose, the Forensic Identification Specialist, had been working the fingers every hour of the past few days. They’d come off a man who’d been found locked inside a cargo container. No one knew who he was, and it was Jose’s job to rehydrate the man’s fingertips and “rebuild” the prints. He had managed to remove a thin, rubber-like layer of skin from one of the man’s thumbs, creating what looked like one of those fake magician thumbs used for special card tricks. Except this one wasn’t a fake.  He stuck his own thumb into the “thumb-sleeve” and demonstrated how he was able to make a print.

I looked at Tyson for a reaction, but Tyson played it cool.

I’d been in this room before. It was a few years ago, when I was writing BOULEVARD, my first novel. I had managed to get an interview with the Chief Coroner Investigator and he gave me a tour of the L.A. Coroner’s Office as research for the book. Although I’d already written my coroner scenes, I knew I hadn’t done the boots-on-the-ground research required to get it right.

What I learned on that first tour was that seeing dead bodies wasn’t what I thought it would be. I figured I’d watch an autopsy, vomit, then pass out. What I discovered, and I’ve written it this way in the novel, is that there was no place in my brain to process the things I saw before me. Each image, each body on the table, each open cavity, seemed to carve a new place in my brain to store the information it contained.

And the bodies, they weren’t people. They were empty gloves, left behind when the soul slips them off.

That first visit had a profound effect on me and when I returned home I rewrote my coroner scenes top-to-bottom. Now the scenes were real, and they reflected the truth of what I saw.

That was a few years ago. My memory, being what it is (random electrical charges passed from one synapse to the next in a slowly eroding brain), I’ve lost many of the details of that day. I’ve been wanting to go back, if only to recapture the sense of awe and humility and mortality I felt. The fact is, I’ve been needing to go back for quite some time.

I’ve known Tyson Cornell since he reviewed Boulevard for Publishers Weekly’s Galley Talk. He was the author event coordinator for L.A.’s Book Soup, where he’d worked for something like fourteen years. After Vroman’s purchased Book Soup, Tyson lost his job then reinvented himself as the top independent author promoter in Los Angeles. His company, Rare Bird Lit, handles the L.A. press tours for authors like James Ellroy, Chuck Palahniuk and scores of others. If you want to see an impressive client list, check out his website. He also opened a publishing division, Rare Bird Books, with the imprints Barnacle Books and Vireo Books.

Tyson is always game for new experiences. When I decided to get an armband tattoo commemorating my publishing deal with Tor-Forge, Tyson said he wanted in. We got tattoos together. It was my first tattoo and Tyson’s twentieth. Tyson likes to accumulate experiences. Anything new and different excites him. Kim Dower, my publicist for Boulevard and Beat, once told me that she had to leave a meeting with Tyson to get a pre-scheduled pedicure. Tyson joined her, because he’d never seen anyone get a pedicure before. It was an experience he needed to have.

One day I was invited to attend a lavish party and fundraiser in Malibu for Writers in Treatment, an organization dedicated to helping writers afford treatment for their addictions. My invite was sponsored by an organization called The Center for Healthy Sex. I could bring a guest, so I invited Tyson.

We sat at a table that had little place-settings with our names on them, and under our names was written the title, The Center for Healthy Sex. Everyone assumed we represented the organization. We didn’t say anything to dispel the myth. At one point Tyson started talking about his new tattoo, getting everyone interested in checking it out. He opened his shirt and revealed the words tattooed across half his chest: “SEX IS NOT THE ANSWER, IT’S THE QUESTION. YES IS THE ANSWER.”

A famous quote from Bob Crane, apparently, and Tyson had to have it inked across his chest. I’m not sure how well we represented The Center for Healthy Sex that night. Then again, it might have been exactly the kind of message they wanted to convey.

When I started talking about a return trip to the Coroner’s Office, Tyson’s ears pricked-up. He asked if he could tag along. I couldn’t think of a better co-conspirator for the job.

The Chief Coroner Investigator was again very gracious with his time. He gave us a comprehensive, two-hour tour of the facility, explaining every facet of what the Coroner’s Office does and how it benefits the community. The Department of the Coroner is responsible for the investigation and determination of the cause and manner of all sudden, violent, or unusual deaths in the county of Los Angeles. It is also responsible for determining the identity of all bodies under its care.


The facility has changed a bit since my first visit. It is undergoing a major renovation to improve and update the offices, labs and autopsy rooms. As we walked through the halls we saw holes in the ceiling where tiles had been removed, revealing the skeletal joists and silvery ducts above. Walls and ceilings were encased in opaque plastic, not unlike the plastic used to wrap the hundreds of bodies we saw in the morgue’s brand new Crypt.


When I took my first tour, the Crypt, or Cooler, was about half the size of your average Starbucks and filled top-to-bottom with bodies wrapped in white plastic sheets. The new Crypt is the size of a warehouse and, if you replaced the human bodies with wooden crates it would remind you of the scene at the end of the first Indiana Jones movie. It’s kept at a chilly 35 degrees Fahrenheit; much cooler than the previous Crypt, which rarely dipped below 50.


I’m quite aware that my description of this experience sounds a little procedural. My intention in writing this post was to re-examine my feelings about viewing dead bodies. The reason I took the tour was to push myself to face the thing we all fear, the thing that drives me to ponder everything I’ve ever pondered. I wanted to poke the part of me that might have fallen asleep.


The profound effect I experienced after my first tour eludes me. Maybe I’m still in shock – my tour was just this morning, after all. Perhaps, as my twelve-year old son tells me, the images of death are waiting to populate my dreams tonight. I wouldn’t be surprised if this was the case; I’ve been known to experience post traumatic stress days or weeks after witnessing a tragic event.


And the things I saw today were definitely gruesome, conjuring images of films like Re-Animator, Alien and The Texas Chainsaw Massacre. I saw numerous autopsies being performed, saw bodies open and upended, with empty cranial cavities and chunks of skull on the side. I saw a woman’s body unrolled all about her, a medical examiner’s arms set deep inside her small frame, while two masked and gowned homicide detectives took notes beside them. I saw a man baked from fire, the flesh on his arms colored red and yellow like the fire itself, skin rippling off bone, fingers missing but for the burnt nubs of the middle knuckles that remained. I saw victims of car accidents, suicides, homicides.


I saw one tiny drop of what the over two hundred employees of the Los Angeles Department of Coroner see every day of the year except one – Christmas. The only day they have off.


And maybe that’s why I didn’t vomit and faint. I was aware that these people came to this place all the time, that this was their job. Three hundred bodies in the Coroner’s Office every day. This death was their life. The least I could do was take a sympathetic, if objective, look at the world through their eyes.


After the tour, Tyson and I went to a cafe to share our experiences. We were all-too aware of the smell that permeated our clothes, hair, and skin. A smell set so deep that nothing could displace it.


“You still smell it?” I asked him on the phone at the end of the day.


“Yeah, it’s heavy. I had to change my shirt.”


“I keep thinking everyone is looking at me,” I said. “Wondering what it is about me they want to avoid.”


When I go home I kiss my wife and she takes a step back, her eyes open wide.


“Straight to the shower,” she says, then points at the spot on the floor where I am expected to drop my clothes. She tells me to gather some quarters for the laundry I’ll be doing tonight.


In the shower, I use a half-bottle of shampoo and a full bar of soap.


Clean, now, and to the rest of the world I seem fine.


But still, I smell it. It’s not on me, it’s in me. Maybe tonight, in my dreams, I’ll see the things I wouldn’t face with my open eyes today.


Now I lay me down to sleep, I pray the Lord my soul to keep…

23 thoughts on “EMPTY GLOVES

  1. JJ

    Thanks, Stephen, for the tour. Because I'm a nurse, death isn't foreign to me. Because I'm a writer, I've toured a couple of morgues, seen some things, taken some forensics classes, seen some slides that are stored in a memory drawer not opened very often. But I can go there when I need to. It's something you get used to and you forget all that processing you did the first time. With this post, you brought that back for me, made me realize there was a before and after, made me look at that first time a new way. For that, I thank you. And, P.S., the scent is in the nose hairs. You have to wash those, too.

  2. Jake Nantz

    Stephen –
    I've read BOULEVARD and BEAT. I liked both. I've read most of your posts on Murderati, and liked many of them. So understand, I mean this sincerely and with as much experience of your work as I can reasonably have.

    This is the most powerful thing of yours I've ever read. And it ain't even close.

    Every bit of this is like a real visceral experience for someone like me who hasn't done it (and isn't sure he could). Considering the alarming number of authors I 'know' (online, mostly), who eschew spirituality all together, let alone any professed religion or belief in a higher power, the way you treat these bodies – in order to see what the writer needs to – is comforting. I honestly don't know if I could detach my empathy for the lost lives and shame/embarrassment for the stark remains in order to see the clinical side that a writer has to see. I would be concerned that I was somehow "wronging" them, or "using" them, and yet your simple acknowledgement that their soul is elsewhere, and this is what's left, makes it seem both graceful and classy.

    Then you follow that with the admission that the experience may still haunt you, even after the physical evidence is (for the most part) washed clean from your skin. I'm not sure why, but this whole post just struck me.

    Thank you.

  3. Stephen Jay Schwartz

    JJ – the nose hairs – why didn't I think of that? I should have done that before going to bed last night. It would have held off the nightmares, of which there were a few. One in particular – a very giant angry beast, all round of muscle and pulsing red; a fiery demon, chasing after me all at once – me slamming a door behind me, a heavy, metal door like a bank vault – hearing the demon slamming into it. I'm certain it was death in pursuit.
    Thanks for adding your perspective. I can't imagine what it would take to get used to it.

  4. Stephen Jay Schwartz

    Jake – shit, man, your comment gave me the chills. I'll be re-reading it throughout the day. It really means a lot to me, that you took the time to express your feelings as well as you did. Comments like yours gives me reason to write. Thank you.

  5. Lisa Alber

    Wow, Stephen, just wow. I've been thinking about a first draft I need to get back to…It features a coroner (or pathologist? same thing? yep, lots more research required) and scenes in a morgue. After reading your post, I realized that doing the actual research may be why the manuscript is still sitting around as a first draft.

    But now I'm thinking your experience…just wow…The goosebumps have risen. Partly nervy anticipation, partly abject fear. You post has inspired me.

  6. Stephen Jay Schwartz

    Lisa – it's amazing the things that come up when you go meet the people who are doing the work, day in and day out. Plot points and twists appear miraculously before your eyes. I learned a number of things yesterday that would make for great complicators in my protagonist's path – things I never would have imagined if I hadn't done the research.

  7. Lisa Alber

    <rubbing hands with morbid glee>Plot complications rule! Here's my thing: Book is set in Ireland…hmm…research trip? I can get the visceral details from visiting a morgue here in Portland, but what about the cultural details? Yes, I think a research trip may be in order!

    So, did you just call up, say you're doing novel research, and ask for a tour?

  8. Stephen Jay Schwartz

    Lisa – that's what I did. Actually, I sent an email. I went to the top – always start at the top. Fortunately, the top guy answered the email and I was off and running!

  9. Chief Craig Harvey

    Very nice. I like the way you craft your thoughts into words. You connected the
    dedication of the staff to the governmental functionary aspects of what we do. I
    know the staff appreciate that ability. We are a last breath away from the people we
    serve. We are not so removed that we no longer care. I think that is what shocks

    And it is the nose hair.

    I wish I had $20.00 for every time I undressed on the back porch because the odors
    had attached like a tick.

    Take care,

    Chief Craig Harvey, LA Coroner's Office

  10. Stephen Jay Schwartz

    Craig – thank you so much for the opportunity and for taking the valuable time out of your day. I am constantly amazed by what you and your team do. I feel fortunate and honored to have had been invited.

  11. KDJames

    Jesus, Stephen. I don't even know what to say to you after reading this. I can't decide whether I want to put my arms around you and just hold you or give you some fluorescent sidewalk chalk and send you outside to rediscover childhood joy.

    Jake is right, this post is powerful. I'm not sure I like what it does to me. Or to you. Sometimes words entice you, give you permission to go to dark places. This piece just flat takes you there. And leaves you.

    But I'm glad you wrote it. And that I read it.

  12. berenmind

    "left behind when the soul slips them off."

    Those words! the soul slips them off

    Thank you for your authorial treat this morning. I haven't been a Murderati visitor for some time. I need to correct that. Especially on your Fridays.

  13. Stephen Jay Schwartz

    KD – I'll try to find your comment if I can, then post it for you. We've been using Captcha lately and it seems to be working well. I'll do some dusting.

  14. David Corbett


    Let me join the chorus — wonderful post. You have this incredible talent for being very personal and yet objective. It's a tight-wire act you do particularly well. This piece proves it.

    Now, go find a mini-chainsaw for those nose hairs.

  15. KDJames

    Take your time. It's a nice dungeon, as far as dungeons go. The leg shackles are a bit heavy but there's a lovely little cot and the spiders mostly stay in the far corner.

  16. Stephen Jay Schwartz

    KD – your comment is up now – look for it right above berenmind's comment. You and I might have hit the "post" button at the same time, which delayed your post.
    First of all, I'd love the fluorescent side-walk chalk, but I'm afraid I'd draw body outlines with it. Just give me some crime scene tape and I'll be good. But I'll still take that hug.

  17. Stephen Jay Schwartz

    David – thanks for the kind words – they mean a lot to me, as they come from someone whose work I so admire, and who has the same gift for words that you attribute to me.
    I just spent ten minutes shoving shampoo up my nose and vigorously massaging each nose hair. If that don't do the trick, I don't know what will.

  18. lil Gluckstern

    Another piece of powerful writing. You brought the coroner's office to life, and the charm of your jumps through the page. It's a gift to read you.

  19. Stephen Jay Schwartz

    lil – your words brighten my day. Makes me feel like I'm doing what I'm supposed to be doing. Thanks.

  20. Sarah W

    I'm late to this post, and haven't read all the comments (and shouldn't be commenting with a blood sugar level as low as mine is right now), but I think that no one should go without collecting the experience of having a friend like Tyson.

Comments are closed.