A TRACE OF SMOKE

 Interview by Stephen Jay Schwartz

 

 

I met the lovely and talented Rebecca Cantrell at last year’s Bouchercon in Indianapolis.  But I’d seen her picture before on the ITW Debut Author’s website and I’d heard wonderful things about her novel, “A Trace of Smoke,” which was nominated for RT Best Historical Mystery of 2009 and the 2009 Bruce Alexander Memorial Award.  It was also listed as one of the Top Ten Novels of 2009 by The Mystery Bookstore’s Bobby McCue.  I picked up my own autographed copy of “Smoke” and read it with relish. 

“A Trace of Smoke” is a richly-textured period thriller set in 1930s Berlin during the Nazi rise to power.  Protagonist Hannah Vogel is a journalist investigating the murder of her brother, a renowned homosexual cabaret star who has many admirers.  One, in particular, is a very powerful officer in the Nazi Party.  Cantrell’s lens captures the transition from Berlin’s free, tolerant society as seen in the cabarets, to the xenophobic nightmare of things to come.  The subtle rise of anti-Semitism is seen in every chapter.  And hypocrisy abounds.  Cantrell creates a beautifully visual world with images so specific that I sometimes wonder if I read her book in print or saw it unfold on screen.

Rebecca is on a blog-tour for the paperback edition of “Smoke” and I’m honored to present her to our Murderati gang today.

Rebecca, you’ve developed a striking and unique character in Hannah’s brother Ernst.  Why did you choose to portray an openly homosexual character in the setting of 1930s Berlin? 

I wanted to set a book just before the Nazis came to power, and 1931 was the last year I could do so.  Looking back, we know that 1931 was the year that Germany was lost to the Nazis.  But they didn’t at the time.

The late 1920s and early 1930s in Berlin was a time of intellectual and social freedom mixed with grinding poverty and violent protests. Berlin was a center for modern art, cinema, writing, and music. And yet within a few years it would all be gone: the artists fled, in camps, or in hiding. Just like that an incredibly vibrant part of a modern European city vanished to be replaced by the horror of the Nazis. How could such a transition NOT be a fascinating time to set a novel?

Once I had my time, and did my research, I was delighted to find there was such a vibrant gay culture in Berlin. I’ve since read that there were more gay newspapers and magazines in Berlin in 1931 than in New York City in the 1970s. This was lucky, because I knew that Ernst Vogel would be gay, out, and flamboyant.

Who was the first character in your book that came to you and why?

Ernst  was the first character to come to me. In the mid-1980s I went to Dachau for Spring Break (I was weird even as a teenager). I was transfixed by a stark wall with a row of colored triangles worn by actual prisoners: yellow, red, green, blue, purple, pink, brown, and black scraps of fabric. Above each now faded triangle, thick Gothic letters spelled out the categories: Jewish, political prisoner, habitual criminals, emigrant, Jehovah’s Witnesses, homosexuals, gypsies, and asocials (a catchall term used for murderers, thieves, and those who violated the laws prohibiting Aryans from having intercourse with Jews).

Even though I was just a teenager, I’d read enough to know what the Nazis did to the Jews, the Communists, the gypsies, and those who disagreed with their ideology. But I’d had no idea they’d imprisoned people for being gay. At that time I lived with a host family and my host brother was gay, flamboyant, and out. We often went clubbing in Berlin until the wee small hours of the morning. The subways stopped running around midnight, and if you missed that last one, you were out until five unless you caught a night bus. Then you were on the night bus for hours as it wended its way through every tiny street imaginable. Without much adult supervision, my host brother and I spent what in retrospect was probably too many nights leaned up against each other like puppies sleeping on the top front seat of the night bus or on the benches at the subway station.

We would snag a table at Metropol where we would both drink a Berliner white beer (his with a red shot of syrup, mine with a green) and then dance with an endless array of GIs. At the end of the evening, we’d hook back up and start our long journey home, talking about guys. Forty years before those innocent evenings would have been enough to send him to the camps.

That stuck in my mind and all these years later, I wanted to write about the people who lived in that long ago world, and what happened to them.

Hannah Vogel is such a warm and intelligent character.  I found it hard to turn the last page knowing that I wouldn’t be part of her world anymore.  How much of you is in Hannah?

Thanks, Stephen! The good news is that Hannah will be in at least three more novels: “A Night of Long Knives” (set during the 1934 purge, comes out in June 2010); “A Game of Lies” (set in the 1936 Olympics, comes out in June 2011); and “A City of Broken Glass” (set in Kristallnacht, comes out in June 2012). And I have ideas for a total of nine books that go up to 1950.

How much of me is in Hannah is a complicated question. I think the truth is: more than I’d like to admit. She has my strong sense of right and wrong and irritating habit of trying to do the right thing, even when it’s inconvenient. On the other hand, I’m not as tough and would probably not be jumping around so soon after being shot, stabbed, and just in general roughed up the way she is. I like to think I’m better at relationships too.

You write Berlin with the authenticity of someone who lived there.  How much time did you spend in Berlin?

I lived in Germany for three years. One year near Dortmund, two in Berlin (West) and six months in Göttingen.

The first year, I asked to be sent to a small rural German town, something similar to my Alaskan home town of Talkeetna (population 250). They sent me to West Berlin, a city of two million people surrounded by a giant wall in the middle of communist Europe.

I fell in love with Berlin: its sights, sounds, tastes, and historical burden. I lived in the cold shadow of the Soviet wall, toughing it out with my gay host brother, sarcastic artists, scrappy old timers, and German draft dodgers. On any given Friday night, more flirting teenagers, guest workers, and GIs danced to Starship’s “We Built this City” in the Kuh-Dorf disco than lived Talkeetna.

I’ve only been back for short visits since, but I think one of these days I’ll be able to stay awhile and see what it’s really like post-Wall.

What drove you to write this story?  What truths did you want to convey?

I set out to tell Hannah’s story in such a way that the reader would be transported there, able to see what she saw and hear what she heard. I wanted to go to places that I had never seen in fiction: Berlin’s vibrant gay subculture, the life of a woman crime reporter living alone, and an imaginative little boy. Hannah is going to some dark places in future books too, as she sees what the rise of Nazism did to the mothers and sons of Germany. I’m hoping that she can go in there, shine a candle around so we can see it, and then bring the stories back out. That’s where the truth lies.

What’s in store for Hannah in the future?

I just finished the rough draft of “A Game of Lies” last night. But first she has to get through the Röhm purge of 1934 (know as the Night of the Long Knives) after she and Anton are zeppelin-jacked back into Germany. There is film interest, so perhaps we’ll get to see her walking across the big screen too.

What’s in store for Rebecca Cantrell in the future?

I’m hoping to get a chance to write the nine Hannah Vogel novels in my head. For now, I have three written and four total contracted. I also have a short story set on a train transferring prisoners from Dachau in the late 1930s called “On the Train” in the “First Thrills” anthology that comes out in June 2010. Plus I have a YA series that I can’t talk about yet, but hopefully next week!

So, Murderati, please join me in welcoming Rebecca to our enclave, and make her feel at home!  To read more about Rebecca and her adventures in the writing trade, check out her website at http://www.rebeccacantrell.com.

Thank you, Rebecca!



 

21 thoughts on “A TRACE OF SMOKE

  1. Allison Davis

    Wow, I love the image of "leaned up against each other like puppies" in the bus. Will you write a short story about that — dancing until 4 with your gay host brother?

    I even know where Talkeetna is (my Dad’s from Homer, my sister lives in Fairbanks, G’ma lived in Fort Yukon)….from there to Berlin is a long way.

    I am envious of the arc Rebecca already has going…and love the want to capture what was lost in 1930’s Berlin. I am trying to do the same thing with the Fillmore in SF in the 1950’s, a vibrant African American community full of soul food, small businesses and jazz until redevelopment moved in. You’ve set a high bar, but I do well in bars, so we’ll see.

    Stephen, you know how to have fun. Good interview.

    Reply
  2. Rebecca Cantrell

    Hi JD! I do intend to set one in 1945 at the end of the war. Hannah is part of Operation Paperclip, the American operation to find German scientists and spirit them out of Germany before the Soviets got to them. The Operation is real. I might send her on a side trip to rescue her cranky sister Ursula while I’m at it.

    Hi Cornelia! Thanks! It’ll be a while before I get all nine done. 🙂 I’ve only done 3 so far, and sold 4, so you never know. But Hannah has a lot of stories to tell.

    Louise, thanks! I think I still owe you $4 for forgetting to use my book (A TRACE OF SMOKE) and character name (Rebecca Cantrell) on that panel. But since you didn’t bail me out of that whole sperm from a corpse conversation, maybe we’re even.

    Hi Allison. San Francisco in the 1950s must have been a fascinating place. I can wait to read them. Someoen who knows where Talkeetna is? That’s rare. It’s a gorgeous place to visit, the jumping off point for expeditions to Mt. McKinley, plus the rivers.

    Thanks, Ev!

    Also, thanks Stephen, my fellow award nominee. He’s up for the PANIK at Left Coast Crime. So, we’re not competing against each other and can safely prop each other up (like puppies?) and get through it, hopefully relatively happily and sober. Right, Stephen? Maybe?

    Reply
  3. toni mcgee causey

    Oh, Rebecca, this sounds fabulous. I’m ordering it *right now* as a gift for my daughter-in-law who is a history major, specializing in WWII. She is going to love this, I know. So great to "meet" you here.

    (Stephen, excellent interview, thanks!)

    Reply
  4. Stephen Jay Schwartz

    Great to hear the responses to Rebecca’s interview!

    I’m usually on my Mac, but I’m on a PC right now and the cover image of Rebecca’s book does not come up. It comes up on my Mac. Does everyone see the cover?

    Allison – I’ll be reading that book about 1950s San Fran. My favorite city during one of my favorite periods in history. You’ve got to have the Beat Generation in there.

    Rebecca – I think you’ve got a lot of fans here today. You deserve it. And I think we’ll need a designated driver for the Left Coast Crime banquet. And a designated walker.

    Reply
  5. Rebecca Cantrell

    Thanks, Toni!

    Stephen: Where are we going to find a sucker to be designated walker at the banquet? Maybe Jonathan Hayes, author of PRECIOUS BLOOD (see Louise, I’m learning!), would do it. He’s not much of a drinker…or at least not around me since the whole harvesting sperm from a dead guy thing.

    Thanks again for putting together such thoughtful and interesting questions!

    Reply
  6. Rebecca Cantrell

    Hey Sophie! Good to see you over here. I don’t have much on the 9, just a few sentences each, and a bunch of stuff on 1948. So really, that’s only 18 sentences. And I’ve already written the first 6 sentences worth of books, so it’s only a dozen sentences. Like a packet of eggs, really. 🙂

    Reply
  7. pari noskin taichert

    Rebecca,
    Wonderful to meet you. And I’m so glad you’ve set your novels in the time period you’ve chosen. In many ways, I feel the world is in a similar place now and that some of the insanity of that era could easily be repeated in the near future.

    I look forward to reading your work.

    Reply
  8. Stephen Jay Schwartz

    That’s a pretty perceptive comment, Pari. As soon as I read your words I could see it playing out.

    And Rebecca, I meant that we’ll need a designated walker, as in the kind they gave my grandma in the nursing home. Metal, with wheels and little tennis balls to keep from scraping the floors.
    Or maybe a designated hammock.

    Reply
  9. Rebecca Cantrell

    Nice to meet you too, Pari!

    I certainly hope we don’t see a recurrence of the actions and conditions of the 1930s. It’s a different time and place now, but horrible things happen in all times and places.

    I am SO not using one of those walkers, Stephen. I will fashion a crude hammock out of a tablecloth first.

    Reply
  10. Mysti Berry

    You’re the only person I know whose been anywhere near Dortmund! I visited friends there in the 90s. Of course we took off for Berlin ASAP!!!

    Looking forward to more Hannah stories! (P.S. I have it on good authority that you are MUCH better at relationships than she!!!!).

    Reply
  11. Alexandra Sokoloff

    Fantastic to have you here, Rebecca, and I am now so excited to read these books! I love the history of that time – I directed/choreographed CABARET in college and I feel like I lived it, kind of. The art is spectacular, and I love cabaret more than practically any other art form.

    Reply
  12. Rebecca Cantrell

    Hi Mysti! Dortmund is not usually a tourist destination. 16 years into a marriage, I think I’m kicking Hannah’s butt on relationships. Of course, she would kick my actual butt with an actual foot were we to meet.

    Hi Alex! It was an incredible time and place. Isherwood definitely captured something there. I can’t picture, A TRACE OF SMOKE, the musical. But maybe that’s just lack of imagination. There are a few good song numbers in there…

    Reply
  13. JT Ellison

    It’s been so wonderful to see you burst onto the scene, Rebecca. I can’t wait for more in the series – and good luck with EVERYTHING else. You’re a busy lady!

    Reply
  14. BCB

    Damn. Yet another interesting author telling fascinating stories in books to add to the TBR pile.

    I’m going to stop coming over here. You all are bad for my budget.

    Also, what Pari said.

    Best of luck, Rebecca! I look forward to hearing more from you (to hell with the budget).

    Reply

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