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Entries in book promotion (4)

Thursday
Feb282013

Work smarter

by Alexandra Sokoloff

As so often happens here at Murderati, a theme for the week has emerged, from Gar’s blog and Philippa’s:

Work smarter, not harder.

Well, today I’m going to try to talk about that in excruciatingly practical terms - so excruciating that some of you may find your eyes glazing over, and I wouldn’t really blame you. But the reality is, it’s pretty tough to be an author these days if you’re NOT on top of all this, and you know me, union activist and all – I feel morally obligated to expound on all this every so often.

Here’s example number 1, a quick one. Since social media seems to be a do-it-or-die mandate for authors these days, I’ve invested a lot of time recently in growing my Facebook presence.  I make time for it every day. I’ve found a way that I can do it that feels like play, not work. In fact, it has become a needed break from my writing. I don’t get the same kind of pleasure out of Twitter, so I don’t do it. And I spend the vast majority of that FB time socializing, not promoting.  But when I do need something promoted, people are amazingly happy to help, as I found out in spades last week.

So example 2, a much more detailed one.

Last week I was giving away my parapsychology thriller The Unseen as part of a big group book promo through the e book author collective I’ve written about here before: Killer Thrillers!, the brainchild of Karen Dionne.  

Some of your favorite ‘Rati, current and alums, are part of this venture – Zoe, Rob, Brett, Dusty. We’re all happy to promote each other anyway, but Killer Thrillers! gives us a bit more of a structure to do it.

 Six of us from the Killer Thrillers! author lineup (two dozen in all) participated in the giveaway, and I thought it was a great opportunity to compare notes on best practices for Amazon promotions. 

So while I didn’t spend a huge lot of time drawing graphs and pie charts – since I was also at a writing retreat finishing my new book (which is going very well, thank you very much!)– I did keep an eye on the general numbers, to see how effective a free promotion is compared to what it was last year, before Amazon changed its algorithm a couple of times, resulting in decreasing returns for such promotions.

The six of us were all directing traffic to a link to an Amazon Listmania page that listed all six of our books, so anyone who went to the page could download all six right there.

Here it is, with prices now back up to normal - check out all these great authors and books!

And if that had been all we did, then theoretically, we would all have had roughly the same number of downloads and the same ranks.  HOWEVER, what really happened was that we had individual numbers ranging from a few thousand giveaways to 27,000 (US only – some of us also were giving away books in the UK).

Some of us did additional promo via the Kindle free sites. Some of us were randomly picked up by one or two of the bigger sites, which accounted for the highest number of downloads.

Now, it’s always been clear to me that free sites are the key to pushing numbers up for promotions, and the bigger sites result in exponentially more downloads – that’s really how your book will go viral.  Exactly what happened this go round.

The thing I didn’t expect this time is that three days after the end of the promotion, when our books went back to paid, most of us were in about the same ranks of paid books: between 2000-2500 overall in the Kindle store – and that’s at a $1.99,  a $2.99  and a $3.99 price point – the price didn’t seem to matter at all, nor did the number of free downloads, after a certain threshold.  Interesting to know.

For me, it’s a very far cry from the number of books I sold when I released Huntress Moon in July.  Of course, that was a new release, while The Unseen is a backlist title that I’ve had up for half a year, now, and I’ve promoed it before. I wasn’t expecting to make the same numbers or money on this run.

Still, I’ve already made over a thousand extra dollars in sales in these few days after the promo, all profit, and more importantly I did get 18,600 copies of The Unseen out there.  What percentage of those will be read – well, who knows? But that’s one hell of a lot of promotional exposure in one go. Instead of paying for advertising, I am getting both income and a promotional push. Even if the vast majority of those books are never read, the book has been seen – it’s one of those six times that a person has to see your name or your book’s name before you actually stick in their brain. And the promo did sell extra copies of my other e books, generate some new reviews, and remind my Facebook friends that I'm an author and not just a fun cocktail party guest.

Now, I would get more specific about the observations I've made about the sites that are most effective in promos and how to do that, except that all that is set to – probably – change again as of today, March 1, with Amazon’s new changes to its Affiliate agreement, which seems to be targeting the bigger free book sites.

So as usual, those of us e publishing are going to have to scramble to adapt to the new landscape, and everything I’ve just written above may already be obsolete, not even one week later. It’s enough to give you whiplash of the brain.

I hate to admit it, but when I stopped paying attention for a while there because well, I was writing this book – my sales numbers slipped drastically. Yes, there is an ebb and flow to all of this tied to book releases, but it’s perilous to let it all go unattended for too long.

And this last promotion was well worth the time.  As I could have predicted, Kindle Select promotions are a lot less effective than they were in 2012. But promoting with a group is much more fun, and these are authors I read on a regular basis and know and love personally. All six of us agreed that we had no hesitation about plugging the group, as opposed to just plugging ourselves.  Having some joy in the process is key.

It was also a good reminder that as an indie author I make a living in direct proportion to how much QUALITY time I spend marketing and keeping up with the market, so I’m going back to a practice I’ve let slide: Marketing Monday, meaning one full day per work week devoted to nothing but business.  (Hey, it also serves as a break from all the endless writing...) 

And I’m just not going to grumble about how hard it is to e publish, because of this great blog I read this week by Matt Hilton.

Although I disagree with him on one key point - I DON'T think that midlist authors have the same dilemma selling on Amazon as they do in traditional venues - otherwise it’s one of the most realistic articles I’ve ever read about the pitfalls of signing with a traditional publisher and thinking that’s going to yield an actual career. It completely lays out the traditionally published side of the story – the hellish frustration of being a midlist author and NOT being able to control my promotional destiny.

Remembering the rage I used to feel about that powerlessness, well, I’ll take the current landscape, even shifting as it is. Because there IS joy to be had in the process, and for me, that is all about friends. Writer friends, reader friends, social media friends. For me, those friends are what make the work play.

So I’d love to hear examples of promotion that people LOVE.  Well, also, let's have examples of promotion that people HATE.  It would be great to generate a couple of lists, a buffet, as it were, where there’s bound to be something that people can choose to do that’s actually fun for them.

- Alex

Tuesday
Jul172012

Marketing = Madness

by Alexandra Sokoloff

I just did a straight week of marketing to launch the e release of my new thriller, Huntress Moon. And in the middle of that huge Amazon promotion I have also been clearing out my house to sell it, and have been constantly finding reminders of the brutal days when book launches meant book tours and bookstore drop-ins and call-in radio shows. How different things are for authors today, just three years later than what you're about to read below!  While throwing out (meaning recycling) ten tons of paper promo material I was reminded of this blog I wrote for the hardcover launch of my poltergeist thriller, The Unseen, which I just put up for sale on Amazon and Nook this month.  Just a bit of a different process!

But I think you'll find it uncanny how the more things change, the more they stay the same.

 

December 2008

 

Dear Diary:

You will be thrilled to know I’ve made an actual decision. No, I mean it, stop laughing. Really. I’m just not going to kill myself promoting THE UNSEEN when it comes out. No more of this stress. I love this book. I know people want to read it. Who wouldn’t want to read it? 

John Lescroart says the only viable thing you can do to sell your books is to write another book. So that’s what I’m going to do – I’m going to write another book. In fact, I’m going to write two books.

And the Screenwriting Tricks for Authors book, too – I can do an hour of that every other day. It all stops now. No more traveling, no more craziness, just workshops close to home. That people pay me for. I’m going to write. That’s it. Write. And have a personal life, remember that?

PS. You won’t be hearing from me for a while. I have writing to do. And - personal stuff.

 

 

                ------------------------ Five months later ------------------------

 

 

May 1, 2009.

Well, Diary, I am thrilled to report I have finished Book of Shadows and Scott loves it and SO DO I. I got that paranormal proposal in to HQ Nocturne and I will easily be finished with Ghost Ship by the end of the month and get that in to St. Martin’s ON TIME. I have an entire first draft of Screenwriting Tricks for Authors, and am psyched to launch into revisions. I am so golden.

Lescroart is so right. We need to be writing.

 

May 2

Woke up to panic attack. OH MY GOD, The Unseen is coming out in twenty-four days. How did that happen? Who scheduled this?

I haven’t done anything. Nothing. I haven’t even thought about doing anything. I forgot about promotion. Who do I think I am, a screenwriter? I’m an author now, I have to promote.

What’s promotion again? How did I do it before? OH MY GOD.

 

May 3

Woke up thinking about Konrath. OH MY GOD. Konrath is doing a 100-stop blog book tour for Afraid. I should be doing a 100-stop blog book tour. Wait. I can barely write one blog a week. I’d have to have started 100 weeks ago to do a 100-stop blog book tour. 100 weeks ago is – um, years, I think. I can do ten. No, twelve. No, eight. In two months. No, one. No, six weeks.

Is it worth it to do that? Does that even count as a blog book tour?

Note to self: check Blog Book Tour site for… specifics. Wait. Wouldn’t I rather just write more Screenwriting Tricks blogs? Won’t everyone hate me if I stop those for a month to do blogs on… whatever I would be doing blogs on? On somebody else’s blog site? Didn’t I start Screenwriting Tricks because I had nothing left to say about myself? Do blog tours really work? Konrath says it’s working.

Well, of course it’s working for Konrath, I’m talking about for REAL people, do they work for REAL people? Note to self: You are NOT under any circumstances going to try to pull a Konrath here. Just get a grip.

 

May 4

OH MY GOD. “The Edge of Seventeen” got nominated for a Thriller Award for Best Short Story. I can’t believe it. I mean, I love that story, maybe more than anything I’ve ever written, but… it’s supernatural. It’s got a teenage GIRL protagonist. I’m so overwhelmed it got noticed.

Lescroart is right. I need to be writing. Nothing matters but writing. And affection.

 

May 5

OH MY GOD. Thrillerfest is the same weekend as ALA. HOW DO THESE THINGS HAPPEN? How can I not go to ALA? How can I not go to Thrillerfest? I’m going to be just out with The Unseen in hardcover, I have to go to ALA.

But I’m nominated for a Thriller award, how can I not go to Thrillerfest? How can I be in New York and Chicago at the same time?

 

May 6

Woke up thinking about social networking. OH MY GOD. I haven’t posted on Facebook in weeks. I haven’t Twittered in longer. And I can’t remember the last time I even signed on to MySpace. I need to update my sites. If I can remember them. Amazon blog, Red Room blog, MySpace blog, Haunt blog, Backspace, MWA something or other - Margery said we all had pages somewhere and that I haven’t done anything on mine; Pretty Scary, Authors Round the South, Indie Bound something or other, Library Thing?

Am I on that? Or was I supposed to do it and forgot? And what about that Facebook page thing? Did anyone ever figure out how to find my page as opposed to whatever the regular Facebook thing is? Is that page thing just going to open up a whole new spate of old boyfriends?

 

May 7

Woke up thinking about….

I can’t… think…

 

May 8

OH MY GOD. Romantic Times is in two days. Did I book a flight? What state is it in? Do I have bookmarks? Oh my God, I never ordered bookmarks for The Unseen. I have to e mail Kelley at Iconix and order more NOW TODAY so they’ll come in time. Will they get here or do I have them delivered to – whatever state RT is in? Kelley will handle it. IF YOU REMEMBER TO TELL HER.

Where are my business cards? OH MY GOD. I have to learn all the songs for the Vampire show. Shut up. Slow down. What you need to do at RT is WRITE. Go rehearse the Vampire show and then go back to the room and write, write, write. Five pages a day, minimum.

(Pages done at RT: 7 total, done on the plane en route. Hours spent rehearsing Vampire Show: 20. Hours on the dance floor: 3 per night. Hours in hot tub after dance=5. Parties… a lot.).

 

May 9

Woke up thinking about website. Hmm, worrisome. Most Awesome Webmistress is not returning e mail on website update. Starting to panic. Better call.

OH MY GOD. Most Awesome Webmistress has been sending e mails on website update that have disappeared into the ether. Website needs complete overhaul.

OH MY GOD. Must send in all updates by tomorrow and decide on design.

OH MY GOD.

 

May 10

- Have to get announcements of The Unseen in to all the organizations I belong to for their newsletters. What organizations do I belong to again? Who do I send this stuff to?

- Have to send updated list of all reviewers I know to new publicist so she can send reading copies.

- Have to send updated list of all media contacts I have to new publicist to she can send reading copies.

- Have to send updated bookseller/librarian list to new publicist.

- Have to do author questionnaire for Little, Brown for UK releases.

- Have to do new author questionnaire for St. Martin’s.

- Have to do AT LEAST FIVE PAGES on Ghost Ship today. I have to. I have to.

 

(End of day: Pages written: 0)

 

May 11

Woke up thinking about bookstore mailings. Elaine Viets does bookstore mailings. Elaine swears by bookstore mailings, and everyone loves her. Does that mean I should do bookstore mailings? What is a bookstore mailing?

Books? Still don’t have them. Bookmarks? Bookmarks are great if you march them into the store and set them on the counter yourself, but if I were a CRM and got bookmarks in the mail I would just toss them in the trash. I don’t even open my own mail, how can I expect anyone else to?

 

May 12

Woke up thinking about book club mailings. Jenna Black swears by book club mailings. Do I need to do a book club mailing? What is a book club mailing?

 

May 13

There’s a book club coordinator at St. Martin’s. Who knew? I give her my targeted list of rabid book clubs and she will send books with my letter that I send to her. I love St. Martin’s.

Lesson learned: Ask, Ask, Ask.

 

May 14

Going through old promotional files and discovered Sisters in Crime has a bookclub database with specific contact info for mystery book clubs nationwide. Most want e mail contact first. I can do that. I can do that in a night.

I love Sisters in Crime.

 

May 15

OH MY GOD. I haven’t worked out in two weeks. Have you somehow for gotten that you have the personality of a rabid armadillo when you don’t work out for TWO DAYS?

Has it somehow slipped your mind that a BOOK TOUR means you will be dealing with THE PUBLIC for all your waking hours? Has it not occurred to you that if you don’t get an injection of endorphins, not to mention muscle tone, then too soon to contemplate you will not be fit for viewing?

 

May 16, 2009

OH MY GOD. I haven’t updated my mailing list in six months. And I need to do a newsletter. How does Vertical Response work again? What’s my password? Why can’t I log in? Oh, right, I have to use Firefox to get into that one. Um, I think. But do I have any news?

Did I for sure take that guy off the list who wrote me that horrible letter about how he didn’t know me and how did I get his e mail and why am I spamming him? Does he know how many nights of sleep I lost lying awake wondering the same thing?

 

May 17

OH MY GOD. I have to be at BEA next week. What state is BEA in this year? I need a pass. I need books. Did I book a flight?…. Frantic e mailing ensues .... HAH! St. Martin’s has sent books and is sending me a pass.

I will do my Quail Ridge launch then drive up to NY with Natasha and stop at bookstores along the way to sign stock.

A Garmin would be good, though. Konrath swears by his Garmin. Note to self: need to get a Garmin. More to the point, need to figure out how to use it before I hit the road. Can I realistically do that? I mean, really?

 

May 18

OH MY GOD. Right after BEA I’m due in L.A. for the HWA Stoker weekend and So Cal MWA conference and Dark Delicacies signing and Mysterious Galaxy signing. Did I book a flight? OH MY GOD - must do bookstore drop-ins. Must do TONS of bookstore drop-ins. I can do 200 easily in two weeks before I have to be back for my Southern tour stops. Even without a Garmin. No Garmin required here at all. Konrath may be Konrath, but I know California freeways.

HAH!

---------------------------------------------------------------------------------------

I wish I could say that’s as bad as it gets but it’s not even close. Multiply the chaos above by twelve thousand and you have a rough idea of my mental state at the moment. There is no order to anything.

The funny thing is, I just did an interview in which the eminently sane interviewer posed the question: “You’re a great business networker. What’s your strategy?”Which I guess is encouraging because no matter what is happening inside me I have the APPEARANCE of control and organization. So that must count for something.

But you know what? I was so fine while I was just writing. I really did get – almost - two books, a proposal, and a rough draft of another (non-fiction) book done in five months. This last month I’ve managed to do some editing, but that’s about it. And I am miserable about it. I could so easily have had my new book done by now.

So I really, really want to know. Are we really doing ourselves any favors doing this kind of insane promotion? Or is John Lescroart right, and we should just always be writing the next book, period?

 

---------------------------------------------------------------------------------------------------- 

July 2012

I find the above really amusing and frightening at the same time.

Thank God at least SOME things are different. I no longer have to book so many flights for book tours (which I have a total aversion to doing, even though these days someone else is almost always paying for my appearances, I figured THAT part out at least!).  Bookstore drop-ins?  The chains have crumbled. These days you have to figure out how to work the Amazon algorithm, but you don't have go GO anywhere to do it.  That alone is less time-intensive.  I'm still using this paper promo at conferences, people still use bookmarks, but as I found out this week I already have a lifetime supply (!)

It's amusing to me that we were looking to Konrath for the magic answers before the e book thing, too.  (And anyone who thinks he just got lucky on the e book thing should remember the days not so very long ago that he was doing 600 bookstore drivebys in three months and 200 blogstops in a month.)

But I can still get caught up in that kind of frantic obsessive promotional frenzy, even though I don't have to get dressed to do it anymore. There is an addictive aspect to marketing that I think authors have to be very wary about, and always self-monitor.

And my question today, July 2012, is exactly the same:

Even though we're doing it online, now, Facebook, Twitter, blog tours - is that really helping us?  Really? Are we really doing ourselves any favors doing this kind of insane promotion? Or is John Lescroart STILL right, and we should just always be writing the next book, period?

What do you think?

- Alex

 

Huntress Moon, now on sale:  $3.99  An Amazon Hot New Release!

A driven FBI is on the hunt for that most rare of killers... a female serial.

 

Amazon IT

 

 

 

Monday
Jan182010

Author Bios: What's Missing from the Back Inside Flap

by Alafair Burke

I promise this next sentence is an honest intro to today's post, not just BSP: This weekend I officially joined the board of directors of Mystery Writers of America and became President of the New York chapter.  (Pause for applause.)

In preparation for the annual MWA board funfest (aka orientation day), the unparalleled Margery Flax requested a biography to distribute to fellow board members.  I sent her the usual jacket copy:

A formal deputy district attorney in Portland, Oregon, Alafair Burke now teaches criminal law at Hofstra Law School and lives in New York City.  A graduate of Stanford Law School, she is the author of the Samantha Kincaid series, which includes the novels Judgment Calls, Missing Justice, and Close Case.  Most recently, she published Angel's Tip, her second thriller featuring Ellie Hatcher.

Her response was polite, quick, and resoundingly clear, something like, "Are you sure that's all you want to include?  This is usually a longer fun one, only for internal board distribution."

In other words, Yawn, Snore, Zzzz....

I can take a hint, so I gave it another try.  Borrowing in part from my website, I allowed myself thirty minutes to hammer out something that would give those who hadn't met me yet some sense of who I am and where I've been.  Margery's assurance that this was purely internal was freeing.

After I submitted my specially-designated "MWA board bio," I couldn't stop thinking about the sterileness of those book jacket author bios, scrubbed clean of all personality.  As writers, we're committed to exploring the human stories that lurk beneath the superficial, but when asked to describe ourselves: Yawn, snore, zzzz.....

I've spoken a few times during author appearances about a hypothetical world in which books (like the law school exams I grade as a professor) would be published anonymously, their authors known only by a randomly assigned number that readers could use to "identify" the authors they consistently enjoyed.  After all, what separates reading from television and film is the active role of our mind's eye.  To read books without knowing an author's age, gender, race, religion, region, education, attractiveness, or work experience might truly unleash our imaginations.

Despite my musings about a utopia of anonymous publishing, I've come to realize why publishers emphasize (and readers desire) personal information about authors.  The most delightful unexpected benefit of writing has been meeting some of my favorite authors.  I already read these folks religiously before I met them, but I'll admit that I read them differently -- and more richly -- now.  I recognize the wry winks in Laura Lippman's most leisurely paragraphs.  I hear Michael Connelly's quiet voice in Bosch.   I think I really know what Lisa Unger means when she writes on Ridley Jones's behalf that she's a "dork."  And those short, little, maddeningly frustrating sentences from Lee Child are now sexy as hell.

But I didn't get any of that from the book jackets. 

As the traditional print media and personal appearance opportunities for authors to introduce themselves to readers continue to dry up, many of us have taken to the Web.  We do that not only to get our names out there, but also because we recognize that readers are more likely to experience our written work as intended if they come to it with a sense of who we are. (For example, an online reviewer once dissed a line of Ellie Hatcher's, something like "kicking it old school."  The fact that it's corny to talk that way is of course precisely why she'd say such a thing. And if the reader "got" Ellie or anything about my work, he'd know that's -- ahem -- just how we roll.)

So as we're knocking ourselves out to convey our souls to readers, maybe we should take another look at book jacket bios.  The publishers are going to type something beneath that favorite photo: It may as well be interesting.  And so, even though Margery promised to keep this unsanitized bio a secret, I've decided to blast it out to the world:

Alafair Burke is the author of six novels in two series, one featuring NYPD Detective Ellie Hatcher, the other with Portland prosecutor Samantha Kincaid.  Although reviewers have described both characters as “feisty,” Alafair might accidentally spill a drink on anyone who invokes that word to describe her or anyone she cares about.

Alafair grew up in Wichita, Kansas, whose greatest contribution to her childhood was a serial killer called BTK.  Nothing warps a young mind quite like daily reports involving the word, bind, torture, and kill.

From Kansas, Alafair dreamed of fleeing west.  Fearing their daughter might fall prey to a 1980’s version of the Manson Family (um, Nelson?), her parents prohibited her from attending school in California.  Ironically, she ended up at Reed College, where the bookstore sold shirts that read "Atheism, Communism, Free Love," and Alafair found herself (lovingly) nicknamed Nancy Reagan and The Cheerleader.

From Reed, Alafair went to the decidedly less hippy-ish Stanford Law School. Although she went with dreams of becoming an entertainment lawyer so she could make deals at the Palm and score seats at the Oscars, she eventually realized she had watched "The Player" one too many times, and instead decided to pursue criminal law because she was obsessed with the Unabomber.

Most of Alafair’s legal practice was as a prosecutor in Portland, Oregon, where she infamously managed to tally up a net loss on prison time imposed during her prosecutorial career.  (Help spring two exonerated people from prison to put a guy called the Happy Face Killer behind bars, and it really ruins your numbers.)  As hard as it is for her to believe, she is now a professor at Hofstra Law School.

When Alafair is not teaching classes or writing, she enjoys rotting her brain.  She runs to an iPod playlist with three continuous hours of spaz music (think "It Takes Two" by DJ Rob Bass, "Smooth Criminal" by Alien Art Farm, and "Planet Claire" by the B-52's). She insists that Duran Duran, the Psychedelic Furs, and the Cure hold up just as well as the so-called classics. She watches way too much television, usually on cable.  She wants Tina Fey to be her BFF.  She likes to drink wine and cook. 

She discloses TMI on the Interwebs, blogging regularly at Murderati and logging teenage-territory hours on Facebook.  She will golf at the drop of a hat even though she’s bad at it.

Most importantly, Alafair loves her husband, Sean, and their French bulldog, The Duffer.  She also loves her parents, but if you ask her about them, she’ll ask you about yours.


What do you think?  Should all authors let loose on their jacket flaps?  Would it affect that crucial decision of whether to purchase?  Would it change how we read?  If you're a writer, what should your author bio REALLY say?  And if you're a reader, what would you like to know about some of your favorite writers?

P.S.  As a follow up to my last post about my sometimes odd marketing attempts, I brought a video today for Show and Tell.  Not the usual literal movie trailer, the clip is intended to evoke the themes, setting, and tone of my new book, 212, out in March.  It also allowed me to bop around to Lady GaGa for countless hours and tally it mentally as work-related.  What do you think?


Saturday
Jul182009

Conference wrap-up: Thrillerfest and ALA

by Alexandra Sokoloff

Just returned from crazy breakneck weekend – Thrillerfest in NY, and ALA in Chicago. Because I’m a Pisces I have this idea that I can be two places simultaneously. It doesn’t quite work that way. Or anyway, there’s always a price.

At TFest, as some of you know, my story “The Edge of Seventeen” from THE DARKER MASK anthology won the Thriller award for Best Short Fiction!

Here’s the complete list of winners:


ThrillerMaster Award: David Morrell
In recognition of his vast body of work and influence in the field of literature

Silver Bullet Award: Brad Meltzer
For contributions to the advancement of literacy

Silver Bullet Corporate Award: Dollar General Literacy Foundation
For longstanding support of literacy and education

Best Thriller of the Year:
THE BODIES LEFT BEHIND by Jeffery Deaver (Simon & Schuster)

Best First Novel:
CHILD 44 by Tom Rob Smith (Grand Central Publishing)

Best Short Story:
THE EDGE OF SEVENTEEN by Alexandra Sokoloff (in Darker Mask)

And yes, I was very happy to be the estrogen in the lineup. Actually I tend to do my best in situations of complete gender imbalance.

Then I went straight on (well, one missed flight later) to do signings at ALA, the American Library Association conference in Chicago, which apparently had an attendance of 27,000 people. Which was far more than anyone had anticipated and is great news for all of us bookish types.

And I have to say Chicago was as beautiful as I’ve ever seen it, ever – absolutely stunning weather, which I don’t think I’ve ever been able to say about Chicago before. I could almost have been lulled into living there if I didn’t know what happens around November. Or in July, for that matter.

I took that riverboat architecture tour with my friends and Sisters in Crime sisters Doris Ann Norris and Mary Boone, and it really is the best thing about these conferences – being able to get these fast but incredibly layered snapshots of different cities. I love it.

Now I’m headed into a couple of weeks of signings and interviews (including North Carolina Bookwatch, a really big deal in that state) while doing revisions on BOOK OF SHADOWS, and at the same time I have to sort out everything that happened and didn’t happen during my move, which is another story entirely, and, oh yeah, get back to blogging.

Not much that looks like vacation there, right? But instead of feeling exhausted, I feel rejuvenated, and realigned. Conferences are really good for the Big Picture. Going to the same conference for several years in a row is especially great because you can see your career on a continuum. I wasn’t even published when I went to my first Thrillerfest. Now, my fourth year there, I know what to do with the people I meet and the opportunities that come up. I’m much more aware of what a conversation can lead to and how to take advantage of that (I know, it sounds like I’m talking about something else. Of course that potential is always there, too.).

Opportunities abound at conferences – I really do feel that everyone you could possibly need to talk to at a particular moment in time is at whatever conference you are at. That’s always been true for me, even when I had no idea what I was doing. Now that I have a bit of an idea what I’m doing it’s even more true. Example: I have been needing to ask a lot of precise, technical questions about the whole Amazon/Kindle publishing thing. So I’m standing around in the Hyatt lobby catching up with friends and Daniel Slater, the very guy in charge of all that, walks right up to us and introduces himself.

That’s not an anomaly, it’s what happens dozens or hundreds of times over a few days at a con. It’s like magic, I swear.

Also these days I actually remember who everyone is. Definitely a plus.

Seeing the same group of authors regularly (at a particular conference) gives you a good idea of what people are doing that works, and what is not working so well. There’s always a lot going on that you can’t see, but you do get ideas.

And then there are those moments of sheer inspiration and purpose – like this year’s Thrillermaster David Morrell’s speech at the banquet. He was talking about how we all have a responsibility to bring something new to the genre, to advance the genre, and explained exactly how he had been attempting to do that in several of his books. He also said that every time he sits down with a new project he writes a letter to himself talking about why he wants to spend a year of his life on this particular book. Whoa! Talk about getting in alignment. That is absolutely what they call in yoga “attention and intention”. There is no way not to write a better book if you have done that.

I’m telling you, a graduate course in writing in 15 minutes.

ALA, now, is scary for the sheer numbers of books. The “Why didn’t I write that?” quotient is high. Also the sheer number of books by some individual authors is beyond scary. The “Why didn’t I start sooner?” question can tear you apart.

The fact is, I’ve just finished revisions on my fourth book. I’m a complete novice comparatively. And I understand better than ever why a lot of readers hold authors in awe (I just finished Michael Connelly’s SCARECROW and I swear I was holding my breath through whole parts of it. How the HELL does he DO that?). But also, all of those books come out of those people, people we know. People we are. The more books out of an author the more you have to marvel that one little 120 or 220 pound person can make all that happen, all those characters and worlds. The power of that! It’s mind-bending.

But here I was, this weekend, surrounded by authors – who have dozens, if not hundreds of books to their name, and I was wondering how many books I’m going to have to have out before I feel any kind of comfort level. In fact, I wonder if there ever IS a comfort level – if Tess and Allison experienced a moment (a certain number of books, the first or second time on the NYT list) that they said: “Ah, yes. I’m here.” (I mean, even temporarily!)

At the moment, for me four still feels really scant, which is maybe ridiculous, since every completed book is a bloody miracle. But I think that that impatience and dissatisfaction, of “not enoughness”, is typical of not just authors, but artists in general. It’s what drives us to produce more. I love that Aristotle called artists “productive philosophers”. That’s what we do – we produce. Art is philosophy, I believe that, but it is also so concrete. We need to see, touch, feel what we do. We need to have other people be able to see, touch, feel it.

Which is good to remember because now, despite a pretty full promotional schedule, I’m going to be doing a huge amount of writing. One project, the Screenwriting Tricks for Authors book, is very near finished. I have two more that I need to put in proposal form, and a third I should be thinking about. At the beginning of an idea, all that chaotic newness and possibility, it’s good to remember that it will be a concrete product at the end: a book.

And I just put one away, for the time being. Maybe for a month, maybe for longer. I haven’t done that with a project in a while, but I think it’s the right thing to do, for reasons I can’t even articulate at the moment, but I think I’m doing the right thing. One thing about having a small number of books out is that you want to maintain a certain focus. Especially when you’re writing standalones.

There’s nothing like a conference for putting your priorities in order. Out of all that chaos, you come away with clarity.

So I’d love to get other reports. Those of you who were at Thrillerfest or ALA, or RWA (going on right now!), what did you come away with that you can share with us?

And everyone else – will you tell us some great thing you learned or experienced at a conference?

And has anyone here EVER experienced that “Ah, yes. I’m here.” moment?

- Alex