7 Minutes With... Brett Battles

By JT Ellison

Welcome my good friend Brett Battles to the blog today! Brett was one of the very first people I met in publishing. We were in the same debut class, talking online about how we were going to make a roar with our debut novels, and ended up co-founding (with Jason Pinter and Sandra Ruttan) a marketing group called Killer Year, which has now morphed into the ITW Debut Authors program. He was also long-time member of Murderati. He makes me feel like quite a slacker, as he’s written 20 novels to my 15, and he’s become one of the most successful indie published authors out there. His Jonathan Quinn series is one of my favorites, and I’m so excited to have him here today. Without further ado….

__________

Set your music to shuffle and hit play. What’s the first song that comes up?

“La Soledad” performed by Pink Martini

Now that we’ve set the mood, what are you working on today?

Relaxing! It’s Sunday…tomorrow I dive back into the next book in my Project Eden series.

What’s your latest book about?

REWINDER concerns the consequences of one’s actions, and the choices one makes in a reality where time travel is possible.

Where do you write, and what tools do you use?

Believe it or not I write in my kitchen (which is not large), on my iMac which sits on a rolling, butcher block topped cabinet. I wheel it into the center, sit on a stool, and work. This way I have views out both the kitchen windows and those in the living room.

What was your favorite book as a child?

Hmmm….I had many. I remember loving A WRINKLE IN TIME. I also couldn’t get enough of the Alfred Hitchcock and the Three Investigator series. Wait, the Foundation series by Isaac Asimov was also a huge favorite, and…okay, I’ll stop.

What’s your favorite bit of writing advice?

If you wait for inspiration to strike before you write, you’ll never get anything done.

What do you do if the words aren’t flowing?

Keep trying until I can’t go on, then give myself the rest of the day off. Sometimes you just need a day away.

What would you like to be remembered for?

Being a good dad and friend.

_________________

More About REWINDER (Available Now)

Rewinder-Web-400w-v2.jpg

You will never read Denny Younger’s name in any history book, will never know what he’s done.

But even if you did, you’d never believe it.

The world as you know it wouldn’t be the same without him.

Denny was born into one of the lowest rungs of society, but his bleak fortunes abruptly change when the mysterious Upjohn Institute recruits him to be a Rewinder, a verifier of personal histories. The job at first sounds like it involves researching old books and records, but Denny soon learns it’s far from it.

A Rewinder’s job is to observe history.

In person.

Embracing his new life with enthusiasm, Denny witnesses things he could never even imagine before. But as exciting a life as this is, there are dangers, too. For even the smallest error can have consequences.

Life-altering consequences.

Time, after all, is merely a reference point.

____________________

Brett Battles is a Barry Award-winning author of over twenty novels, including the Jonathan Quinn series, the Logan Harper series, and the Project Eden series. He’s also the coauthor, with Robert Gregory Browne, of the Alexandra Poe series. You can learn more at his website: brettbattles.com

Buy REWINDER:

Kindle: http://amzn.to/1sU1zfK / Trade Paperback: http://amzn.to/1q6ZEnO

Via: JT Ellison

    

Thomas & Mercer has acquired the Huntress/FBI thrillers

By noreply@blogger.com (Alexandra Sokoloff)

A lot of you have been wondering when in the world Book 3 of the Huntress series is ever coming out. I know. I know. I know. I actually finished the book quite a while ago, but I’ve been negotiating with Thomas & Mercer (Amazon’s mystery and thriller imprint) for the series, and I can finally make this announcement.

T&M has bought the rights to the series, and is going to re-launch all three Huntress books in January – including the world premiere of Cold Moon.

I truly, deeply apologize for the wait. Believe me, it’s hard for me, too! But this is the difference between a traditional publishing schedule and the freedom of indie publishing – it takes a lot longer to get all the gears in motion. As a devoted TV binge watcher, I fully understand and am 100% behind the strategy of launching the three books together as a binge read. Thomas & Mercer really gets the uniqueness of the series and I know they’ll be awesome at marketing. And I’m thrilled that the series will be able to reach a much larger audience. I think the stories and characters deserve that.

I also know that a lot of you will be wondering why I would want to turn around and take a traditional publishing deal when I’ve been able to do so well with indie publishing.

Well, first, Thomas & Mercer is a traditional publisher with an indie mindset. They get the new landscape of publishing (partly because they’re creating it). And who wouldn’t want the marketing genius of Amazon behind them?

I’ve written here often about how important I think it is to diversify. Having a mix of indie published titles and traditionally published titles is to me the same kind of strategy as diversifying a financial portfolio. No one knows what the publishing landscape is going to look like a year from now. Personally I’ve reached a happy point that I have so many books out that it’s hard to manage all of them on my own and still have the time I need to be doing the most important thing: writing. Letting Thomas & Mercer handle the Huntress series will – hopefully – free up some time for me to launch the new series I’m working on (which I refer to as “the Scottish book”) as well as continue the Huntress series with Book Four (which will be available very soon after Cold Moon, without the long wait.

Again, I deeply apologize for the wait – but I think Cold Moon is going to be worth it. In the meantime, Huntress Moon, Blood Moon and the audiobook of Huntress Moon will remain available.

In fact, you can pick up Huntress Moon for Kindle or Nook today through Thursday for just 99 cents (and the UK and worldwide equivalents). The paperback is also on sale.

This is the last time the book will be available at a price like this, so if you already have it, please feel free to share the news!


Amazon US 99c

Amazon DE Eur .89
Paperback $7.99

Nook US 99c
Nook UK 99p

“This interstate manhunt has plenty of thrills… keeps the drama taut and the pages flying.” — Kirkus Reviews

- An ITW Thriller Award Nominee for Best Original E Book Novel

- A Suspense Magazine Pick for Best Thriller of 2012


- A Huffington Post Books Pick for “Women You Should Be Reading” 2014


FBI Special Agent Matthew Roarke is closing in on a bust of a major criminal organization in San Francisco when he witnesses an undercover member of his team killed right in front of him on a busy street, an accident Roarke can’t believe is coincidental. His suspicions put him on the trail of a mysterious young woman who appears to have been present at each scene of a years-long string of “accidents” and murders, and who may well be that most rare of killers: a female serial.
Roarke’s hunt for her takes him across three states…while in a small coastal town, a young father and his five-year old son, both wounded from a recent divorce, encounter a lost and compelling young woman on the beach and strike up an unlikely friendship without realizing how deadly she may be.

As Roarke uncovers the shocking truth of her background, he realizes she is on a mission of her own, and must race to capture her before more blood is shed.



Book II in the Huntress/FBI series, Blood Moon, is also available $3.99 (2.45 UK)

Amazon US
Amazon UK
Amazon DE

Nook US
Nook UK

Twenty-five years have passed since a savage killer terrorized California, massacring three ordinary families before disappearing without a trace.

The haunted child who was the only surviving victim of his rampage is now wanted by the FBI for brutal crimes of her own, and Special Agent Matthew Roarke is on an interstate manhunt for her, despite his conflicted sympathies for her history and motives.

But when his search for her unearths evidence of new family slayings, the dangerous woman Roarke seeks – and wants – may be his only hope of preventing another bloodbath.

And the audiobook of Huntress Moon is also available, narrated by multiple Audie Award nominee RC Bray

Amazon
Audible

As always, I’ll keep you posted on the sale – the promotional strategies I used and what I find to be effective.

So authors, what about you? Are you diversifying? Does the hybrid life make sense to you?
And readers – are you going to kill me? (Hopefully not!)

- Alex

Via: Alexandra Sokoloff

    

Message From Ferguson

By JD Rhoades

The Pilot Newspaper: Opinion

I’ve been hearing it all week: “You’re going to write about Ferguson, aren’t you?” … “What are you going to write about Ferguson?”
To be honest, I’ve hesitated. The unrest following the shooting of an unarmed black teenager in Ferguson, Mo., raises a lot of highly charged issues, issues guaranteed to provoke an outpouring of vitriol, whatever you say.
It’s also one in which new “information” comes out every day from a variety of outlets, only to be contradicted the next day. There are a few things, however, that come loud and clear through the noise:
Dear Ferguson Police: Using a loudspeaker to order reporters to “turn off your cameras” just looks bad, especially when you do it on camera. It looks even worse when one of your officers tells reporters, again on camera, that “I’ll bust your head” and that he’ll get away with it because he’ll “confiscate the tape as evidence.”
When a police officer doesn’t want a record of what goes on in a public place, that officer is not to be trusted. And when an entire department, armed to the teeth, doesn’t want a record of what its members do in a public place with unarmed protestors, then that is exactly the kind of department you’ve got to watch. ‬‬‬
If you want to talk about racial disparity in this country, look at the difference in the way the authorities handled the unarmed Ferguson protesters and the way the nut cases at the Cliven Bundy ranch were treated.
Bundy and his militia supporters got off scot-free after pointing rifles at federal agents and claiming they would kill any federal agent who tried to arrest Bundy for flouting multiple court orders and grazing his cattle on public land without paying for it.
Those people didn’t so much as smell a whiff of tear gas.
If the Bundy ranch crazies pointing their guns at the feds had been African-American, they’d have been tear-gassed at least, and the right would be calling Obama racist because the feds weren’t using napalm.
But wait! Isn’t this disparity the perfect argument for those “Second Amendment remedies”? After all, aren’t our guns our last line of defense against overbearing and tyrannical authority? Well, maybe, but only for white people. Don’t believe me? Every right-wing nightmare of oppression is coming true right now in Ferguson, and we don’t hear a word from the NRA.
While we’re at it, how many African-American faces do you see in the Open Carry movement? A white man walking into Chipotle with an assault rifle can claim he’s exercising his Second Amendment rights. Let a black man do it, and he’ll be lucky not to get his head blown off by a SWAT sniper before he gets to the hostess stand.
Heck, black people don’t even have to be armed. Apparently, the justification Officer Darren Wilson used for shooting Michael Brown (who, let us not forget, was completely unarmed) is that Brown attacked Wilson.
It should be noted that: This version of events is denied by every eyewitness to the event; no ambulance was called for Officer Wilson; no first aid was administered; and video taken immediately after the shooting shows Wilson walking around calmly with no apparent injury.
Even if true, this “defense” raises the question of how the Ferguson Police Department can afford all those fancy military-style vehicles and sniper rifles we saw pointed at protesters on TV, but can’t seem to provide them with Tasers, which is the usual police weapon deployed against a rowdy subject.
Even though Michael Brown supposedly stole some cigars from a store not long before being killed, the Ferguson PD has admitted that Officer Wilson had no knowledge of the alleged robbery. No witness (and there were several) supports the story that Brown was struggling with the officer for his gun.
Which means the revelation of an alleged robbery is offered more as a smear of the deceased than a justification for the shooting. Officer Darren Wilson wasn’t scared of a strong-arm bandit; he was just scared.
Which brings us to our last point. The latest report from the Ferguson PD is that Wilson isn’t really a bad guy. He’s not a “cold-blooded killer,” as some have described him. And you know what? He may not be. The evidence we’ve heard could also support a theory that he’s a young, frightened, poorly trained officer in a police department ruled by arrogance, mistrust, and outright fear of a large part of the community they’re supposed to be protecting.

It’s the same fear that’s corroding American society from the inside. Ferguson is just the latest symptom.

Via: J.D. Rhoades

    

You just have to do it (lessons from the Reduced Shakespeare Company)

By noreply@blogger.com (Alexandra Sokoloff)


One of the great pleasures of living in Scotland is the month-long Edinburgh Festival Fringe. A pleasure if you don’t actually live in Edinburgh, that is. Residents talk about the Fringe as they would about a plague, which I suppose it is: 20,000+ performers and God only knows how many tourists from all over the world descending on a really quite small (and ancient) city center (that’s centre over here), for the world’s largest arts festival (and the Fringe is only ONE of the festivals). It’s a riot of buskers, street theater, acrobats, jugglers, musicians, crafts, food, bagpipes, and general mayhem on the streets – before you even get to the 3000+ shows a day in various commercial venues.
So we went in last week to see my friends Reed Martin and Austin Tichenor of the

Reduced Shakespeare Company in their new show, The Complete History of Comedy (Abridged).

It’s a great show, with the RSC’s usual combination of a razor-sharp survey of whatever subject they’re ostensibly skewering, disguised in laugh-till-it-hurts comedy, physical, satirical and intellectual. You can enjoy this show on multiple levels, and actually learn something about the development of the art and practice of comedy along the way. It’s at the Pleasance Grand until August 25, then touring the US, UK and Ireland, and I highly recommend it (here’s the schedule).

But I enjoyed it on a whole different level, too.

This was really my present and past colliding, as I have been going to see RSC shows since the genesis of the troupe at the California Renaissance Pleasure Faire, where the RSC’s first full-length show was written and for quite a long time performed by my friends (since college, eek!) Adam Long, Daniel Singer and Jess Winfield (who is also the author of My Name is Will, a brilliant novel of sex, drugs, and Shakespeare.)



And maybe when I say “present,” I really mean “future,” because along with working on Book 4 of the Huntress series, I’ve started on a new series which I’m going to set partly in Scotland.

I know. What could I possibly be thinking?

But it’s been very hard for me to envision a series that could follow (or run concurrent with) the Huntress/FBI thrillers.
This is a problem I now realize long-time authors face. Some readers will follow you anywhere. Myself, if I love an author, I read everything by that author: series, standalone, it doesn’t matter. I may like some books better than others, but it’s the themes that an author is working with that really draw me, and authors bring their personal themes into every book they write.

Other readers, though, may be so specifically keen on certain aspects of a series – the characters, the genre mix, the level of suspense, the arena – that they may well not be interested in something different from that author.

And I have to admit there are a few of my favorite authors who have books or a series that I’ve just never been able to get into.

So the problem with deciding on a new series is how to write something that will sustain you creatively as an author (since we’re the ones who have to live in these worlds for years at a stretch) and that will hopefully also draw your readers who have become attached to the last series you wrote. Obviously there are also always commercial considerations, if you’re doing this for a living, as I am.

So I needed to find a series that has the depth and thematic resonance that I think the Huntress books have, and the range of interesting characters, and the locational aspect that I know my readers enjoy – the Huntress books are in one sense a road trip and California especially is a character in the novels.

So here I am living in Scotland. And people are jealous. I mean, I get death threats. Mostly people are kidding – I think – but Scotland is a fantasy to a lot of Americans, in lots of different ways.

As an American actually living here, I see both the fantasy and the reality (sort of reality). I think I can write about that really well, and bring my American readers into a fascinating and stunningly beautiful, mysterious world – in the context of a crime series that will allow me to explore different sides of my own personal theme: What can good people do about the evil in the world?

It’s an exciting thought… and terrifying. Like paralyzingly terrifying.

So watching the RSC show I realized what I was fretting was the enormity of doing this story justice (this is my eternal fret, actually). And a line leaped to mind – my favorite moment from the RSC’s Complete Works of Wm. Shakespeare (Abridged). My favorite moment in another show full of laugh-till-you’re-sick moments comes just before the intermission, when Adam flat out refuses to go any further, because the one play left that the boys haven’t yet butchered is Hamlet. And Adam just doesn’t think he can do it justice (“There are just so many words…”). 
Jess (now Austin) lifts a sobbing Adam from the floor, assuring him – “We don’t have to do it justice. We just have to do it.”



And that’s the point I have to remember in venture into my new series. Sometimes you don’t have to do it justice (although you always hope justice eventually will be done). Sometimes you just have to do it.

So authors – have you had the experience of having to follow up a successful series? How did you know when you had the right idea?

And readers – are you willing to follow a favorite author into a new series? Or would you rather your favorite authors stick to their tried-and-true characters?

- Alex


———————————————————–
August contest!

I’ve added a new feature to my website: a monthly contest. You’ll be able to enter for a chance to win signed books, audiobooks, gift cards, and other giveaways, which I intend to get pretty creative about. (For example, I have extra tickets to a showing of Benedict Cumberbatch in Hamlet, coming up next year….)

You can find contest news by clicking on the contests! link on the website nav bar (to the left), and/or you can sign up for another new feature, a monthly newsletter that will have the upcoming contests and freebies listed.

Click to go to the contests page.

Click to sign up for my newsletter.

Via: Alexandra Sokoloff

    

You just have to do it (lessons from the Reduced Shakespeare Company)

By noreply@blogger.com (Alexandra Sokoloff)


One of the great pleasures of living in Scotland is the month-long Edinburgh Festival Fringe. A pleasure if you don’t actually live in Edinburgh, that is. Residents talk about the Fringe as they would about a plague, which I suppose it is: 20,000+ performers and God only knows how many tourists from all over the world descending on a really quite small (and ancient) city center (that’s centre over here), for the world’s largest arts festival (and the Fringe is only ONE of the festivals). It’s a riot of buskers, street theater, acrobats, jugglers, musicians, crafts, food, bagpipes, and general mayhem on the streets – before you even get to the 3000+ shows a day in various commercial venues.
So we went in last week to see my friends Reed Martin and Austin Tichenor of the

Reduced Shakespeare Company in their new show, The Complete History of Comedy (Abridged).

It’s a great show, with the RSC’s usual combination of a razor-sharp survey of whatever subject they’re ostensibly skewering, disguised in laugh-till-it-hurts comedy, physical, satirical and intellectual. You can enjoy this show on multiple levels, and actually learn something about the development of the art and practice of comedy along the way. It’s at the Pleasance Grand until August 25, then touring the US, UK and Ireland, and I highly recommend it (here’s the schedule).

But I enjoyed it on a whole different level, too.

This was really my present and past colliding, as I have been going to see RSC shows since the genesis of the troupe at the California Renaissance Pleasure Faire, where the RSC’s first full-length show was written and for quite a long time performed by my friends (since college, eek!) Adam Long, Daniel Singer and Jess Winfield (who is also the author of My Name is Will, a brilliant novel of sex, drugs, and Shakespeare.)



And maybe when I say “present,” I really mean “future,” because along with working on Book 4 of the Huntress series, I’ve started on a new series which I’m going to set partly in Scotland.

I know. What could I possibly be thinking?

But it’s been very hard for me to envision a series that could follow (or run concurrent with) the Huntress/FBI thrillers.
This is a problem I now realize long-time authors face. Some readers will follow you anywhere. Myself, if I love an author, I read everything by that author: series, standalone, it doesn’t matter. I may like some books better than others, but it’s the themes that an author is working with that really draw me, and authors bring their personal themes into every book they write.

Other readers, though, may be so specifically keen on certain aspects of a series – the characters, the genre mix, the level of suspense, the arena – that they may well not be interested in something different from that author.

And I have to admit there are a few of my favorite authors who have books or a series that I’ve just never been able to get into.

So the problem with deciding on a new series is how to write something that will sustain you creatively as an author (since we’re the ones who have to live in these worlds for years at a stretch) and that will hopefully also draw your readers who have become attached to the last series you wrote. Obviously there are also always commercial considerations, if you’re doing this for a living, as I am.

So I needed to find a series that has the depth and thematic resonance that I think the Huntress books have, and the range of interesting characters, and the locational aspect that I know my readers enjoy – the Huntress books are in one sense a road trip and California especially is a character in the novels.

So here I am living in Scotland. And people are jealous. I mean, I get death threats. Mostly people are kidding – I think – but Scotland is a fantasy to a lot of Americans, in lots of different ways.

As an American actually living here, I see both the fantasy and the reality (sort of reality). I think I can write about that really well, and bring my American readers into a fascinating and stunningly beautiful, mysterious world – in the context of a crime series that will allow me to explore different sides of my own personal theme: What can good people do about the evil in the world?

It’s an exciting thought… and terrifying. Like paralyzingly terrifying.

So watching the RSC show I realized what I was fretting was the enormity of doing this story justice (this is my eternal fret, actually). And a line leaped to mind – my favorite moment from the RSC’s Complete Works of Wm. Shakespeare (Abridged). My favorite moment in another show full of laugh-till-you’re-sick moments comes just before the intermission, when Adam flat out refuses to go any further, because the one play left that the boys haven’t yet butchered is Hamlet. And Adam just doesn’t think he can do it justice (“There are just so many words…”). 
Jess (now Austin) lifts a sobbing Adam from the floor, assuring him – “We don’t have to do it justice. We just have to do it.”



And that’s the point I have to remember in venture into my new series. Sometimes you don’t have to do it justice (although you always hope justice eventually will be done). Sometimes you just have to do it.

So authors – have you had the experience of having to follow up a successful series? How did you know when you had the right idea?

And readers – are you willing to follow a favorite author into a new series? Or would you rather your favorite authors stick to their tried-and-true characters?

- Alex


———————————————————–
August contest!

I’ve added a new feature to my website: a monthly contest. You’ll be able to enter for a chance to win signed books, audiobooks, gift cards, and other giveaways, which I intend to get pretty creative about. (For example, I have extra tickets to a showing of Benedict Cumberbatch in Hamlet, coming up next year….)

You can find contest news by clicking on the contests! link on the website nav bar (to the left), and/or you can sign up for another new feature, a monthly newsletter that will have the upcoming contests and freebies listed.

Click to go to the contests page.

Click to sign up for my newsletter.

Via: Alexandra Sokoloff

    

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