9.2.14 - On Living Out Loud, With Thanks

By JT Ellison

Writing used to be a solitary endeavor. I’ve only been in the game for ten years, and when I started, it was a solitary endeavor. I wrote in a vacuum, not knowing any other authors, unaware of writers’ organizations, agents, editors, sales channels and marketing plans. I wrote for me, and when I finished my first book, my husband read it, and thought it was pretty good. A friend who knew I was writing a novel offered to read it. He too liked it. The next thing I knew, I was at the library checking out a copy of the Writer’s Guide to Literary Agents, and had an editor reading my pages for continuity and grammar.

Things took off quickly after that. A year later, I had a agent, and a year after that, a three-book deal. I’d joined a critique group, started blogging, first for my own blog, then on Murderati. I put up a Facebook page, began the race to accumulate “friends.” Shortly thereafter, Twitter joined the mix.

I was no longer alone.

Fast forward ten years. I’ve just turned in my 15th novel. Pinterest, Instagram and Goodreads have all become a daily ritual like Facebook and Twitter. I send monthly newsletters to a lot of people. I do chats, and blog, and create clever contests.

I am living out loud.

I’ve always been uncomfortable with sharing myself online. From the very beginning, I was incredibly careful what I put out there. I’m an introvert, and I like my privacy. I like sharing JT the author with people, but I also wanted to keep me separate from all of that. It was a learning curve. Whenever I let a piece of me into the mix, I felt raw and vulnerable, oddly exposed, like I’d walked into a cocktail party without my clothes, and everyone was staring.

Keeping the two parts separate was a nice ideal. It couldn’t sustain.

Years ago there was a successful writer whose blog I followed. She was a funny, quirky blogger, full of interesting tips about the writing process and publishing in general. And she talked about when writing was hard.

-Gasp-

She talked a lot about it. So much so that some other nameless authors tried to run her off for being overly dramatic and whiny. So much so that even I read a few posts cringing.

How could you put yourself out there like that? People will think you’re weak. People will think you’re lazy. People will think …

I was new. Bright, shiny. Brimming with ideas and exuberance. Unstoppable. The idea of writer’s block was a joke. That it would be anything but easy to sit down and write a book? Bosh. And that you might actually admit out loud to strangers reading your blog that you were struggling? Heresy.

I know now I was running on a sort of extended adrenaline those first few years. Life does get in the way. Sometimes, writing is hard. Really freaking hard. It cuts you open just to watch you bleed, and laughs at you as you struggle on hands and knees to cross the room to your desk. And let’s not get into the parts that are out of your control: bad laydows, terrible art decisions, marketing plans that disappear, accounts dropped, promises broken.

This is a fucking heartbreaking industry, in so many ways, yet we soldier on in silence, for the most part, because there is an old adage that reads: Never let them see you sweat.

I’ve always tried to stick to that advice, simply because of that open, honest blog I used to read. It seemed so voyeuristic, to see inside another writer’s heart. To watch her bleed to death, slowly, in public, while others cast aspersions from their ivory towers.

I’m not sure when I crossed the first line myself. But over the years, I’ve shared more and more. The lines between me and that JT girl blurred, becoming nonexistent. The day I too was stuck and thinking about giving up, I reminded myself of the blog I’d read with such disdain as a child author, realizing that what she was doing was her therapy, and wrote about it myself. It helped. God in heaven, it helped.

I’ve never been good with weakness, from myself or from others. My BFFs know if you come to me with a problem, you first need to tell me if you simply need to blow off steam, because if not, I will find a path for you to fix whatever issue is nagging at you. It’s a character flaw, I think, but I’ve learned to live with it.

Sometimes, though, I need to be weak. I need to vent. I need to cry. I need.

Writing WHAT LIES BEHIND was one of those times. It was by far the hardest book I’ve ever written. Storylines wouldn’t work. Characters weren’t behaving. I was stuck, blocked, for weeks, trying machination after machination to get the story to work. Five months of head banging frustrations, slipping into despair more than once, thinking about shelving the whole thing and giving up.

And I blogged about it. I talked about it on Facebook. And on Twitter. I wined and complained and lived out loud.

And you came to my rescue.

You held me up. You encouraged me. You offered ideas, paths to cross over to different switchbacks. You sent prayers and namastes and care packages. You saw that I was weak, and needed help, and you rose to the occasion without a moment’s hesitation.

Social media gets a bad rap sometimes. Yes, it’s a distraction. Yes, it takes time away from our creative endeavors. But when you build a community of incredible people who will lift you up when you’re falling? It is worth every second.

You got me through this book. Knowing I wasn’t alone kept me going, day after day. And it is with tears in my eyes and a lump in my throat that I give you my most humble thanks. I couldn’t have done it without you. When I turned the book in Saturday, I breathed a sigh of relief so huge I think I started a tropical storm in the Gulf.

Walk a mile in another man’s shoes, right?

Via: JT Ellison

    

Working the algorithm – the Huntress Moon 99c sale

By noreply@blogger.com (Alexandra Sokoloff)

My 99 cent sale of Huntress Moon is on – #1 in Mysteries, #1 in Thrillers in the Nook store, today! – so if you haven’t gotten a copy yet, this is your last chance at this price before Thomas & Mercer re-releases the book in the fall.

Amazon DE Eur .89
Paperback $7.99

Nook US 99c
Nook UK 99p

“This interstate manhunt has plenty of thrills… keeps the drama taut and the pages flying.” — Kirkus Reviews

- An ITW Thriller Award Nominee for Best Original E Book Novel

- A Suspense Magazine Pick for Best Thriller of 2012


- A Huffington Post Books Pick for “Women You Should Be Reading” 2014


And I promised to post about promotional strategies. Which is going to take more than one post, but it’s good timing for me to muse about it, since I’m doing a digital publishing panel at Bloody Scotland in a couple of weeks, with successful UK indie authors Allan Guthrie and Ed James. I also recently did an e publishing panel at the WGAw (that’s the screenwriters’ union), where authors Lee Goldberg, Christiana Miller and producer Lane Shefter Bishop and I talked about e publishing strategies.

Of course, what everyone wanted to hear about was promotion – what works?

I’m not going to dwell on the things that SHOULD be self-evident. Like, OF COURSE you have to have a great book that you’ve had professionally edited and formatted and that other people think is great. Although I will say that the more books you have, the more likely you are to have success at indie publishing. The medium favors fast writers (which I am not! On the other hand, I prefer my books with layers of meaning, which takes some time.)

There are lots of ongoing promotional strategies that all writers do to some extent or another. A great website with SEO (search engine optimization), presence on social media sites that is personal and engaging rather than spammy and homicide-inducing, maintaining an opt-mailing list of your readers for newsletters, blogging, guest blogging, appearing at conferences and libraries, etc.

But today I’m going to talk about a specific kind of promotion: Working the algorithm.

That is, using the tools that the big online bookstores – Amazon, Barnes & Noble, et al, have, to get THEM to promote your books for you.

The principle of these promotional strategies is co-op. It’s interesting to me how many authors and readers have no idea what co-op is. When you walk into a bookstore and are confronted with a front table full of books, you may be assuming that these are chosen by the bookstore/booksellers. Oh, no. No, no. That is co-op: prime real estate that is paid for, handsomely, by publishers, who use large amounts of money to get the authors they want to push, up front and center. It’s a strategy of self-fulfilling prophecy: publishers make books bestsellers by making customers THINK they’re bestsellers.

New and midlist authors rarely get a chance at that co-op space. But indie authors have a shot at that front table placement in the online bookstores – through what is known as the algorithm: the Amazon algorithm, or the Barnes & Noble algorithm.

Disclaimer: My brain has gone into deep freeze at the idea of advanced mathematical concepts ever since I was sexually harassed by a creepy Algebra teacher back in high school. Sad but true. I got my revenge in The Space Between, though….

So I’m actually not the best person in the world to explain the concept of the algorithm, and I’m sure other people out there have done it better.
But here’s how it works practically: If you drop the price of your ebook and use some of the tools out there to sell enough copies of that book in a short period of time (or give enough away), you can drive your book onto the online bookstore bestseller sublists and then onto the main bestseller lists on Amazon and Barnes & Noble, then Amazon’s/B&N’s algorithm will start automatically recommending your book in multiple places in their online stores and newsletters to create exponential sales for you. (Nothing drives sales like having your book listed in that Amazon e mail you may have signed up for that appears in your mailbox every few days: Looking for something in Mystery & Suspense?)

Yes, there are other online platforms and bookstores out there, but I’m just going to be talking about Amazon and Barnes & Noble because they’re the biggest, and that’s where my experience is.

Amazon in particular gives you some fantastic free tools to help you launch these promotions – if you make your ebook exclusive to Amazon for three months via the Kindle Select program.

-Giveaways:during those three months you can give away your book for free for up to five days.

- Kindle Countdown: you can drop the price of your books and have Amazon count it down for you on the book page and on their lists to create urgency for the sale.

- Hot New Release list: if you understand that one of your VERY best promotional opportunities is in the first four weeks after you hit “publish,” then you can time your promo efforts to take advantage of that window of opportunity. I always urge people who are just starting with indie publishing NOT to make their books available until they fully understand this concept, because you only get one shot at this list with each book.

I’ve talked about Kindle Select Giveaways before, but let me just say part of it again for those who may be just joining us:

A lot of inexperienced writers – and some traditionally published writers who are thinking of self-publishing – balk at giveaways. How can anyone possibly make any money at this if we’re giving books away? Traditionally published authors also tend to look down on indie writers for doing giveaways). The fact is, giveaways are always part of the marketing process of a book. Traditional publishers give away thousands of copies of each book they publish to create word of mouth and generate reviews – and build readership. As drug dealers have known since the beginning of – drug dealing – that you need to give a little something away at first to get your potential customers hooked. But once they’re hooked, the money just rolls in, a regular income stream. 
It’s exactly the same way with books, which are after all just another form of addiction. Come on, you know it’s true.
Wouldn’t you pay full price right now for the newest book by one of your favorite authors? I know I would. Mo Hayder, Tana French, Nikki French, Lee Child, Mr. King… I’d pay extra to get any one of them NOW. 



Well, that’s what these giveaways are about. A big giveaway is a great way to hook new readers on one of your books, and like good addicts, those readers will then buy all your other books, and you build your readership.


I’ve done Kindle giveaways before with great success – it’s how Huntress Moon became an Amazon bestseller. But that was partly because two years ago Amazon counted those free downloads as a partial sale, which kept books up in the ranks even after the price reverted to normal. The algorithm for counting free books has changed, so authors I know who are running giveaways aren’t getting anywhere near the same results as you could get in the beginning of the program.

Even so, the Kindle Select giveaways are still fantastically worth doing – because there is NO OTHER WAY an author can possibly reach 10,000, 20,000 or sometimes many more potential new readers in two or three days – for free.

This time I decided to do a 99 cent sale of Huntress Moon instead of a giveaway because I wanted to target both Amazon and Barnes & Noble, to expand my readership for the Huntress series. I figure Thomas & Mercer will be taking over the Amazon advertising when they launch the series, but I have a chance on my own to promote the series to Nook readers (I’ll report more on that after the sale.)

But whether you decide to do a giveaway or a sale, there is one thing you MUST understand.

It’s not enough to just set up a promotion on Amazon via your KDP dashboard and expect the downloads and sales to start rolling in. You need to do significant promotion on your own to make this kind of promotion work.

Now, theoretically you could schedule a giveaway or Kindle Countdown and work your mailing list and social media contacts to generate enough sales on your own to make the lists – without spending a dime. Theoretically.

But for most indie authors it’s almost impossible to generate that kind of sale without paid help from some of the the various paid advertising sites out there. There’s a whole infrastructure of advertising sites that make their own money off charging authors for promotions that will help them work the Amazon and Barnes & Noble algorithms.

And it always seems that there are a couple of specific book advertising sites out there, or a combinations of sites, that authors who use this strategy agree are the most effective. The top sites change, so you have to do your research and keep informed about which sites are getting the job done.

These days it’s Bookbub. Bookbub charges a premium for its exceptionally effective service, and I’ve never heard anyone say it wasn’t worth every penny. What Bookbub has is a subscription list of well over a million readers who have requested news of sales in their preferred genres. So when Bookbub puts your book in its newsletter, you’re getting it out to a targeted audience of avid readers. You will pay hundreds of dollars for a listing, but will almost certainly make that investment back in a day of sales, and then your book continues to generate sales, and profit, because of its elevated sales rank. Because again, once you make it on to the bestseller lists of the online bookstores, they will be doing the bulk of your promoting for you automatically.

The catch is, Bookbub is very selective about the books it chooses to promote. These days I hear that your book has to have at least 100 customer reviews and a four star average rating to even be considered (to be clear, that’s not what Bookbub says in its policy statement, it’s what authors I know who use it seem to have noticed).

So for relatively new indie authors, Bookbub is probably something to investigate and work toward, rather than count on. But there are other book advertising sites out there that don’t require such a high threshold of reviews but can also generate sales, and I’ll do another post exploring some of them once I have collated results. This post is already long enough!

To sum it up: Paid advertising sites boost sales of your book to get you on the Amazon/B&N (etc) bestseller charts, and then Amazon/ B&N (etc.) will start advertising for you free of charge.

So, authors – have you used Bookbub? Are there other paid advertising sites you find effective? And most importantly – have you come across good posts/articles that explain how the algorithm works? I’m always looking for good stuff to link to!

And readers: were you aware of co-op? Do you feel manipulated? J

- Alex

Via: Alexandra Sokoloff

    

7 Minutes With... Brett Battles

By JT Ellison

Welcome my good friend Brett Battles to the blog today! Brett was one of the very first people I met in publishing. We were in the same debut class, talking online about how we were going to make a roar with our debut novels, and ended up co-founding (with Jason Pinter and Sandra Ruttan) a marketing group called Killer Year, which has now morphed into the ITW Debut Authors program. He was also long-time member of Murderati. He makes me feel like quite a slacker, as he’s written 20 novels to my 15, and he’s become one of the most successful indie published authors out there. His Jonathan Quinn series is one of my favorites, and I’m so excited to have him here today. Without further ado….

__________

Set your music to shuffle and hit play. What’s the first song that comes up?

“La Soledad” performed by Pink Martini

Now that we’ve set the mood, what are you working on today?

Relaxing! It’s Sunday…tomorrow I dive back into the next book in my Project Eden series.

What’s your latest book about?

REWINDER concerns the consequences of one’s actions, and the choices one makes in a reality where time travel is possible.

Where do you write, and what tools do you use?

Believe it or not I write in my kitchen (which is not large), on my iMac which sits on a rolling, butcher block topped cabinet. I wheel it into the center, sit on a stool, and work. This way I have views out both the kitchen windows and those in the living room.

What was your favorite book as a child?

Hmmm….I had many. I remember loving A WRINKLE IN TIME. I also couldn’t get enough of the Alfred Hitchcock and the Three Investigator series. Wait, the Foundation series by Isaac Asimov was also a huge favorite, and…okay, I’ll stop.

What’s your favorite bit of writing advice?

If you wait for inspiration to strike before you write, you’ll never get anything done.

What do you do if the words aren’t flowing?

Keep trying until I can’t go on, then give myself the rest of the day off. Sometimes you just need a day away.

What would you like to be remembered for?

Being a good dad and friend.

_________________

More About REWINDER (Available Now)

Rewinder-Web-400w-v2.jpg

You will never read Denny Younger’s name in any history book, will never know what he’s done.

But even if you did, you’d never believe it.

The world as you know it wouldn’t be the same without him.

Denny was born into one of the lowest rungs of society, but his bleak fortunes abruptly change when the mysterious Upjohn Institute recruits him to be a Rewinder, a verifier of personal histories. The job at first sounds like it involves researching old books and records, but Denny soon learns it’s far from it.

A Rewinder’s job is to observe history.

In person.

Embracing his new life with enthusiasm, Denny witnesses things he could never even imagine before. But as exciting a life as this is, there are dangers, too. For even the smallest error can have consequences.

Life-altering consequences.

Time, after all, is merely a reference point.

____________________

Brett Battles is a Barry Award-winning author of over twenty novels, including the Jonathan Quinn series, the Logan Harper series, and the Project Eden series. He’s also the coauthor, with Robert Gregory Browne, of the Alexandra Poe series. You can learn more at his website: brettbattles.com

Buy REWINDER:

Kindle: http://amzn.to/1sU1zfK / Trade Paperback: http://amzn.to/1q6ZEnO

Via: JT Ellison

    

Thomas & Mercer has acquired the Huntress/FBI thrillers

By noreply@blogger.com (Alexandra Sokoloff)

A lot of you have been wondering when in the world Book 3 of the Huntress series is ever coming out. I know. I know. I know. I actually finished the book quite a while ago, but I’ve been negotiating with Thomas & Mercer (Amazon’s mystery and thriller imprint) for the series, and I can finally make this announcement.

T&M has bought the rights to the series, and is going to re-launch all three Huntress books in January – including the world premiere of Cold Moon.

I truly, deeply apologize for the wait. Believe me, it’s hard for me, too! But this is the difference between a traditional publishing schedule and the freedom of indie publishing – it takes a lot longer to get all the gears in motion. As a devoted TV binge watcher, I fully understand and am 100% behind the strategy of launching the three books together as a binge read. Thomas & Mercer really gets the uniqueness of the series and I know they’ll be awesome at marketing. And I’m thrilled that the series will be able to reach a much larger audience. I think the stories and characters deserve that.

I also know that a lot of you will be wondering why I would want to turn around and take a traditional publishing deal when I’ve been able to do so well with indie publishing.

Well, first, Thomas & Mercer is a traditional publisher with an indie mindset. They get the new landscape of publishing (partly because they’re creating it). And who wouldn’t want the marketing genius of Amazon behind them?

I’ve written here often about how important I think it is to diversify. Having a mix of indie published titles and traditionally published titles is to me the same kind of strategy as diversifying a financial portfolio. No one knows what the publishing landscape is going to look like a year from now. Personally I’ve reached a happy point that I have so many books out that it’s hard to manage all of them on my own and still have the time I need to be doing the most important thing: writing. Letting Thomas & Mercer handle the Huntress series will – hopefully – free up some time for me to launch the new series I’m working on (which I refer to as “the Scottish book”) as well as continue the Huntress series with Book Four (which will be available very soon after Cold Moon, without the long wait.

Again, I deeply apologize for the wait – but I think Cold Moon is going to be worth it. In the meantime, Huntress Moon, Blood Moon and the audiobook of Huntress Moon will remain available.

In fact, you can pick up Huntress Moon for Kindle or Nook today through Thursday for just 99 cents (and the UK and worldwide equivalents). The paperback is also on sale.

This is the last time the book will be available at a price like this, so if you already have it, please feel free to share the news!


Amazon US 99c

Amazon DE Eur .89
Paperback $7.99

Nook US 99c
Nook UK 99p

“This interstate manhunt has plenty of thrills… keeps the drama taut and the pages flying.” — Kirkus Reviews

- An ITW Thriller Award Nominee for Best Original E Book Novel

- A Suspense Magazine Pick for Best Thriller of 2012


- A Huffington Post Books Pick for “Women You Should Be Reading” 2014


FBI Special Agent Matthew Roarke is closing in on a bust of a major criminal organization in San Francisco when he witnesses an undercover member of his team killed right in front of him on a busy street, an accident Roarke can’t believe is coincidental. His suspicions put him on the trail of a mysterious young woman who appears to have been present at each scene of a years-long string of “accidents” and murders, and who may well be that most rare of killers: a female serial.
Roarke’s hunt for her takes him across three states…while in a small coastal town, a young father and his five-year old son, both wounded from a recent divorce, encounter a lost and compelling young woman on the beach and strike up an unlikely friendship without realizing how deadly she may be.

As Roarke uncovers the shocking truth of her background, he realizes she is on a mission of her own, and must race to capture her before more blood is shed.



Book II in the Huntress/FBI series, Blood Moon, is also available $3.99 (2.45 UK)

Amazon US
Amazon UK
Amazon DE

Nook US
Nook UK

Twenty-five years have passed since a savage killer terrorized California, massacring three ordinary families before disappearing without a trace.

The haunted child who was the only surviving victim of his rampage is now wanted by the FBI for brutal crimes of her own, and Special Agent Matthew Roarke is on an interstate manhunt for her, despite his conflicted sympathies for her history and motives.

But when his search for her unearths evidence of new family slayings, the dangerous woman Roarke seeks – and wants – may be his only hope of preventing another bloodbath.

And the audiobook of Huntress Moon is also available, narrated by multiple Audie Award nominee RC Bray

Amazon
Audible

As always, I’ll keep you posted on the sale – the promotional strategies I used and what I find to be effective.

So authors, what about you? Are you diversifying? Does the hybrid life make sense to you?
And readers – are you going to kill me? (Hopefully not!)

- Alex

Via: Alexandra Sokoloff

    

Message From Ferguson

By JD Rhoades

The Pilot Newspaper: Opinion

I’ve been hearing it all week: “You’re going to write about Ferguson, aren’t you?” … “What are you going to write about Ferguson?”
To be honest, I’ve hesitated. The unrest following the shooting of an unarmed black teenager in Ferguson, Mo., raises a lot of highly charged issues, issues guaranteed to provoke an outpouring of vitriol, whatever you say.
It’s also one in which new “information” comes out every day from a variety of outlets, only to be contradicted the next day. There are a few things, however, that come loud and clear through the noise:
Dear Ferguson Police: Using a loudspeaker to order reporters to “turn off your cameras” just looks bad, especially when you do it on camera. It looks even worse when one of your officers tells reporters, again on camera, that “I’ll bust your head” and that he’ll get away with it because he’ll “confiscate the tape as evidence.”
When a police officer doesn’t want a record of what goes on in a public place, that officer is not to be trusted. And when an entire department, armed to the teeth, doesn’t want a record of what its members do in a public place with unarmed protestors, then that is exactly the kind of department you’ve got to watch. ‬‬‬
If you want to talk about racial disparity in this country, look at the difference in the way the authorities handled the unarmed Ferguson protesters and the way the nut cases at the Cliven Bundy ranch were treated.
Bundy and his militia supporters got off scot-free after pointing rifles at federal agents and claiming they would kill any federal agent who tried to arrest Bundy for flouting multiple court orders and grazing his cattle on public land without paying for it.
Those people didn’t so much as smell a whiff of tear gas.
If the Bundy ranch crazies pointing their guns at the feds had been African-American, they’d have been tear-gassed at least, and the right would be calling Obama racist because the feds weren’t using napalm.
But wait! Isn’t this disparity the perfect argument for those “Second Amendment remedies”? After all, aren’t our guns our last line of defense against overbearing and tyrannical authority? Well, maybe, but only for white people. Don’t believe me? Every right-wing nightmare of oppression is coming true right now in Ferguson, and we don’t hear a word from the NRA.
While we’re at it, how many African-American faces do you see in the Open Carry movement? A white man walking into Chipotle with an assault rifle can claim he’s exercising his Second Amendment rights. Let a black man do it, and he’ll be lucky not to get his head blown off by a SWAT sniper before he gets to the hostess stand.
Heck, black people don’t even have to be armed. Apparently, the justification Officer Darren Wilson used for shooting Michael Brown (who, let us not forget, was completely unarmed) is that Brown attacked Wilson.
It should be noted that: This version of events is denied by every eyewitness to the event; no ambulance was called for Officer Wilson; no first aid was administered; and video taken immediately after the shooting shows Wilson walking around calmly with no apparent injury.
Even if true, this “defense” raises the question of how the Ferguson Police Department can afford all those fancy military-style vehicles and sniper rifles we saw pointed at protesters on TV, but can’t seem to provide them with Tasers, which is the usual police weapon deployed against a rowdy subject.
Even though Michael Brown supposedly stole some cigars from a store not long before being killed, the Ferguson PD has admitted that Officer Wilson had no knowledge of the alleged robbery. No witness (and there were several) supports the story that Brown was struggling with the officer for his gun.
Which means the revelation of an alleged robbery is offered more as a smear of the deceased than a justification for the shooting. Officer Darren Wilson wasn’t scared of a strong-arm bandit; he was just scared.
Which brings us to our last point. The latest report from the Ferguson PD is that Wilson isn’t really a bad guy. He’s not a “cold-blooded killer,” as some have described him. And you know what? He may not be. The evidence we’ve heard could also support a theory that he’s a young, frightened, poorly trained officer in a police department ruled by arrogance, mistrust, and outright fear of a large part of the community they’re supposed to be protecting.

It’s the same fear that’s corroding American society from the inside. Ferguson is just the latest symptom.

Via: J.D. Rhoades

    

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