6.30.15 - Welcome Back, Killer Year!

By JT Ellison


Such great news from our friends at St. Martin’s Press — KILLER YEAR, the ultimate anthology of debut authors from the crime fiction class of 2007, has been reissued today in mass market, with a snazzy new cover and some updates inside. And for the first time ever, there is an audio edition! It is so cool to see this little project back in print and better than ever. Grab yours today!

Amazon | Barnes & Noble | Books-A-Million | iBooks | Indiebound | Kobo | Powell’s Books

A collection of killer stories from some of today’s hottest crime fiction writers, edited by grandmaster and #1 New York Times bestselling author Lee Child, Killer Year is a group of thirteen authors whose first novels were published in the year 2007. Now, each member of this widely-praised organization has written a story with his or her own unique twist on the world of crime. Each entry in this one-of-a-kind collection is introduced by the author’s Killer Year mentor, including bestselling authors James Rollins, Tess Gerritsen, and Jeffery Deaver. Other contributors—of original stories, essays, and commentary—include acclaimed veterans Ken Bruen, Allison Brennan, Duane Swierczynski, Laura Lippman, and M.J. Rose. This is an book/audiobook that no fan of the genre can do without.

This one of a kind anthology features stories from members of Killer Year, who were all fresh-faced debut authors in 2007:

Brett Battles
J.T. Ellison
Jason Pinter
Bill Cameron
Dave White
Derek Nikitas
Gregg Olsen
Marcus Sakey
Robert Gregory Browne
Patry Francis
Toni McGee Causey
Marc Lecard
Sean Chercover

And words from some seasoned vets:

Lee Child
Laura Lippman
MJ Rose
Duane Sweirczynski
Ken Bruen
Allison Brennan

The reviews are super, too.

“The disturbingly good new talent showcased in this volume bodes well for the future of the genre.”
Publishers Weekly

“The mentors’ introductions to these stories, plus brief biographies at the end, should entice readers to longer works by these promising new authors. Even amid a recent rash of anthologies in the genre, this one is well worth a look.” — Library Journal

Gems come from the 13 Killer Year members…. Remarkably for a collection this ample, there’s no sign of a clinker.”
Kirkus Reviews

Killer Year is a group of 13 debut crime/mystery/suspense authors whose books were first published in 2007. The graduating class included such rising stars as Robert Gregory Browne, Toni McGee Causey, Marcus Sakey, Derek Nikitas, Marc Lecard, JT Ellison, Brett Battles, Jason Pinter, Bill Cameron, Sean Chercover, Patry Francis, Gregg Olsen, and David White. Each of the short stories displaying their talents are introduced by their Killer Year mentors, some of which include bestselling authors Lee Child, Tess Gerritsen and Jeffrey Deaver, with additional stories by Ken Bruen, Allison Brennan and Duane Swierczynski. Bestselling authors Laura Lippman and MJ Rose contribute insightful essays. Inside you’ll read about a small time crook in over his head, a story told backwards with a heroine not to be messed with, a tale of boys and the trouble they will get into over a girl, and many more stories of the highest caliber in murder, mayhem, and sheer entertainment. This amazing anthology, edited by the grandmaster Lee Child, is sure to garner lots of attention and keep readers coming back for more.

Via: JT Ellison


6.29.15 - On Learning From Your Mistakes

By JT Ellison

Like all writers, I suspect, I need mental space to be happy. I need time with just my laptop and my own stories. I also need time with my “other” voices, the ones who don’t exist in my series novels, who clamour to be heard, to come alive on the page. So I schedule writing retreats. Sometimes I stay home, sometimes I go away. I take a break from all my obligations and I let the other voices come out to play. Sometimes these vignettes become short stories. Sometimes they turn in to novels. Sometimes it’s not worth pursuing and it goes into the treatments file. One never knows.

Last Tuesday, I set off for one of these retreats. I have very little time left to myself this summer, between traveling and editing the new standalone and starting a new book with Catherine, and I’ve had this small pocket of uninterrupted writing time planned for a while.

So you can imagine my dismay when I arrived at the airport (this was a going away retreat) and realized that I’d left my laptop at home. I’d been working earlier in the day, and I plugged it in so it would get a full charge before I got on the plane (because I wasn’t finished with my words for the day and was looking forward to the 90 minute flight to write) and I left it on my chair in the living room. Open. Plugged in. Decidedly NOT with me.

I won’t bore you with the self-flagellation that followed. I was upset and frustrated and embarrassed. I am normally tethered to my laptop. It is an extension of me, and leaving for 5 days planning to write sans my greatest tool wasn’t the smartest move I could have made. Though as one of my dear friends reminded me, a dose of humility is always good for the soul.

I don’t know that the humility helped, but it was a nice reminder.

When I posted this status update on Facebook (what is it with our need to publicly shame ourselves?) I had glib comments, of course I did, which I deserved. Ha ha, there’s this crazy thing called pen and paper, etc., But for what I’d been planning to do, which was blow up a book by moving chapters around, pen and paper wouldn’t cut it. I needed Scrivener, I needed Dropbox, I needed a reliable wifi connection, I needed my f-ing schedule that I’d planned out.

Deep breaths.

This is why I have Dropbox. I can access my files anywhere. Assuming I have wifi, that is.

Of course, access to wifi on this little island isn’t the easiest thing. Though I had a desktop computer to work on, the wireless was turned off for the summer. Hello, touch and go mobile hotspot.

The first day was awful. I jury-rigged some wifi, burned 90% of the data downloading my Dropbox (finally got smart and realized they have a selective download) then Scrivener needed an update. Which updated 90% then crashed the computer. Had to start over. Five hours later, I finally had everything I needed and managed to get to work. I moved my chapters around, then started writing new stuff.

Day two was better. I continued moving things around. Wrote 1000 words, then went for a walk. I was still upset with myself, but I’d at least found a way to do what I needed.

I did work. I didn’t accomplish 1/5 of what I’d intended, because I like nothing less than sitting at a desk to write when there is a perfectly good porch swing and a sea breeze to enjoy, but I worked. And in the empty spaces, the places I couldn’t take my laptop with me, I recharged my batteries. Walked 3.5 miles a day. Read 4 of 5 endorsement books due. Used my phone to communicate until it just became too much of a bother and I ditched it for some sangria. Ok, maybe a little too much sangria.

So all’s well that ends well, right?

Sort of.

I realized a couple of things while I was gone.

Planning is my “thing.” I love it. I love knowing what I’m doing, day-by-day. As a tool, my calendar takes a very close second place to my laptop. I am an extensive planner. I have to be; with all the projects I have going on, making schedules and planning my time is the only way I meet my deadlines. The only way. I’m not being precious here. I have organizational OCD. Planning gives me a sense of control I’m otherwise missing.

Which led me to this:

  • I am way too dependent on my tools, but I’m not sure what I do about that. I’m a writer who works best on a laptop and likes to plan months/years in advance.
  • Dropbox is like manna from heaven, but I can’t ever leave the house on a trip without my work on a thumb drive (ironically, I do have one that has everything backed up to it daily…in my laptop.)
  • Perhaps I am holding on too tightly. To everything. As a consequence, I am calling bullshit on myself.

The calendar, the writing for three houses and putting out my own work…I’ve become rigid and inflexible with my calendar, which is simply an extension of myself. If I’m rigid and inflexible, my work will be as well. We can’t have that. Where’s the fun in being a writer in this scenario?

Remember my war on the word busy? I think I need to start a war on the word inflexible, too. Rolling with it is just not my forte anymore, and I’m not sure when that happened.

I can’t change my nature, not really. I am who I am. I will always feel in control when I know what I have to do, and by when, and plot out my days accordingly. But I can learn to let go of things that I can’t control. Leaving my laptop at home was stupid, yes. But the upshot was, I still had my Kindle, and my phone, and my sneakers, and a beach. After two days of really beating myself up, I let it go and took advantage of the situation. I ended up getting things done, getting ahead on my reading responsibilities, and had a little break, too.

Granted, it wasn’t a sanctioned, scheduled break…. (Let it go, JT. Let it go.)

I’m looking forward to getting home because it’s time for me to check my annual review goals for the year. This whole Year of No thing might need a major mid-course correction. I’ll keep you updated.

In the meantime, I am all ears if you have advice on how to battle this newfound rigidity….

Via: JT Ellison


We have a winner in the Baseball Contest!

By Alafair Burke


Congratulations to Jennifer, who won signed copies of the ENTIRE Ellie Hatcher series: Dead Connection, Angel’s Tip, 212, Never Tell, and All Day and a Night. Jennifer won by correctly guessing the significance of the number 58 on my jersey when I threw out a ceremonial first pitch at Yankee Stadium with #1 New York Times Bestselling author Mary Higgins Clark, the Queen of Suspense and my co-author on the Under Suspicion series.

Mary’s jersey was #40, representing her 40th year in publishing.

Mine was #58. Why? Some people guessed it was my birth year, which would make me 57 years old. Some guessed it was my age, which would make me one year older. Some thought it was my height, which would make me two inches taller. A few thought it was an homage to the wonderful Mysterious Bookshop on 58 Warren Street. Cute, my nope.

The 5th letter of the alphabet is E.

Got it? 58. Ellie Hatcher! Congratulations, Jennifer. That was sort of tricky.

My first choice of jersey number was 13, representing Ellie Hatcher’s 13th Precinct. Unfortunately, some guy name A-Rod is using it.

Thank you, Yankees, for a truly remarkable evening and to Mary Higgins Clark for sharing it with me. And thanks, all of you who entered.

The latest book in the Ellie Hatcher series, ALL DAY AND A NIGHT, is just out in paperback so don’t miss it!

All Day and A Night

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Via: Alafair Burke


6.25.15 - 7 Minutes With... Patti Callahan Henry

By JT Ellison

I met Patti Callahan Henry last year over margaritas and queso dip (which is truly the only civilized way for any author to meet another.) We’ve circled each other for years, having many friends in common, but had never met face-to-face. I couldn’t wait to meet her, though, and I wasn’t disappointed. She’s a lovely, intelligent and fun woman. And when I heard her speak at Parnassus later that evening, I knew she was the whole package as an author, too. Smart and sassy, but poignant at the same time, Patti wraps her readers, and audiences, in a warm embrace of words. I am so thrilled to have her join us today. Welcome, Patti!


Set your music to shuffle and hit play. What’s the first song that comes up?

“Every Little Thing” by Eric Clapton and “Brave” by Sara Barielles

Now that we’ve set the mood, what are you working on today?

My speech for book tour!

What’s your latest book about?

It’s about a failing screenwriter out to steal a love story when he finally meets his match—a woman who is giving him the perfect love story. Or is it?

Where do you write, and what tools do you use?

I mostly write in my attic longhand at first and then on the computer.

What was your favorite book as a child?

CHARLOTTE’S WEB or Narnia, depending on what childhood age you catch me.

What’s your secret talent?

Poker (well, it’s not really a talent, but I love playing when someone will let me. I usually lose, so not sure it’s a talent). The other secret talent—sleeping in on Saturday. I am almost a professional.

What book are you reading now?


When did you know you wanted to be a writer?

I knew I wanted to be a writer when I was too young to even know what “being a writer” meant. But it wasn’t until I was 35 years old that I admitted it to myself and set out to find out how to do such a thing.

Who is your writing idol?

Anne Rivers Siddons

Have you met him/her?


If so, did you completely nerd out or keep your cool?

I absolutely did not keep my cool. It was before I even started my first novel. I waited in an hour-long line,and then babbled until her husband asked me to move on.

What’s your favorite bit of writing advice?

Aim for the heart.

What do you do if the words aren’t flowing?

Walk. Walk outside in nature and try to let go of my expectations and just “be.” Which sounds easy but isn’t!

Are you creatively satisfied?

Sometimes. In the best times.

What would you like to be remembered for?

Touching a reader’s heart.

Alright, now for the really important questions:

  • Beach or mountains? Both
  • Coffee or tea? Coffee
  • Skydive or bungee jump? Neither. Ever.
  • Chocolate or vanilla? Chocolate
  • Winter or summer? Summer
  • Cake or pie? Pie
  • Cats or dogs? Dog
  • Pens or pencils? Pens
  • Truth or dare? Dare
  • Print or ebook? Print


Patti Henry

New York Times bestselling author Patti Callahan Henry has published ten novels, including her latest, THE IDEA OF LOVE, which will be released by St. Martin’s Press in June 2015. Hailed as a fresh new voice in Southern fiction, Henry has been shortlisted for the Townsend Prize for Fiction, and nominated four different times for the Southeastern Independent Booksellers Novel of the Year. Her work is published in five languages and in audiobook by Brilliance Audio.

Via: JT Ellison


7.2.15 - 7 Minutes With... Carla Norton

By JT Ellison

Carla and I met on a warm April day at the Southern Kentucky Bookfest, where we served together on the thriller panel. But I already knew of her from her stellar fiction debut, THE EDGE OF NORMAL, which was one of best books I read in 2014. The writing was excellent, but it was her main character, Reeve LeClaire, who was so striking. I couldn’t wait to read more about her, and this year, Carla is releasing the sequel, WHAT DOESN’T KILL HER, which walks a fascinating line between straight-out thriller and really creepy stalker story. Carla’s got a very cool background, too, so let’s get to it. I will say this, if you’re new to Carla’s work, I can’t wait to hear what you think. Welcome, Carla!


Set your music to shuffle and hit play. What’s the first song that comes up?

Ah, it’s a nice piece by acoustic guitarist Eric Hansen, called “String Theory.

Now that we’ve set the mood, what are you working on today?

This morning I’m working on my novel-in-progress, which I can’t talk about until it’s close to finished. (I’m a bit superstitious about that.) Later today, I need to work on handouts for a writing workshop I’m teaching.

What’s your latest book about?

WHAT DOESN’T KILL HER is a crime novel about a 23-year-old survivor of kidnapping and captivity named Reeve who is just getting her life back on track when her abductor escapes from a mental lock-up facility. His escape is Reeve’s worst nightmare, and as he evades capture—baffling authorities and leaving a bloody trail through the forests of Washington State—she realizes that she knows him better than anyone, and must risk everything to try to stop him.

It’s the second in my series—the sequel to THE EDGE OF NORMAL—but I’m getting great responses from first-time readers, so I’m hugely relieved that it works as a stand-alone.

Where do you write, and what tools do you use?

For me, the first hours of the day are for carrying the dream state onto the page, so I mostly write in bed in the morning, then migrate to my office in the afternoon. But I’ll carry my laptop all over the house, and I keep notepads everywhere—even by the shower—so that I can always jot down ideas.

What was your favorite book as a child?

I read Nancy Drew, but she was already driving, which made her hard to relate to, so I preferred the Trixie Belden series, because a 13-year-old tomboy who solved crimes while riding a bike was more to my taste. The next book that springs to mind is HENDERSON THE RAIN KING, which I read it in high school. Before that, I saw literature as a dusty stack of books by dead guys from which teachers pulled reading assignments, but Saul Bellow’s writing was so vibrant, he rocked my world.

What’s your secret talent?

Ha! That’s a good one. I can’t sing, tap dance, or juggle. Does speaking Japanese count?

What book are you reading now?

I’m reading a lot of nonfiction, which is research for my next book, so I can’t talk about it. But I recently read ALL THE LIGHT WE CANNOT SEE, which was absolutely terrific. No wonder it won the Pulitzer Prize.

Who is your writing idol? Have you met him/her? If so, did you completely nerd out or keep your cool?

I’d love to be cool, but unfortunately, I either freeze or nerd out. For instance, my stomach was doing flips when I first spotted Stephen King at the Edgar Awards. He looked extremely handsome and quite imposing in his tux, and it took several glasses of wine before I rallied the courage to speak to him. Then I grinned and babbled while pumping his hand. To his credit, he was thoroughly gracious.

What’s your favorite bit of writing advice?

My all-time favorite quote about writing is from Walter Mosley: “Plot is the structure of revelation.” I love that. But there’s a more down-to-earth quote from my grandfather that also resonates with me. He used to say, “I don’t give a damn about it unless it breathes,” and that applies to writing as well as to life. Forget the pontification. Don’t try to dazzle everyone with long, lyrical passages and esoteric vocabulary. Readers want to be moved, so it’s our job to slip inside the skins of our characters and breathe life into them.

What do you do if the words aren’t flowing?

When I’m stuck, I’ll go for a walk on the beach, where I can draw in the sand and talk to myself like a crazy lady without frightening anyone. Then I might approach a scene from another character’s point of view, or I might set that scene aside and move on to the next one. Recently, I was struggling to find drama in a section that needed to be cut out of the action and relegated to backstory.

Are you creatively satisfied?

Oh, for brief, glorious moments I’m lifted by a kind of literary glee. But then I’ll write something leaden, which brings me back down to earth.

What would you like to be remembered for?

I’ve never even considered that question. Let’s see… World peace?

Alright, now for the really important questions:

  • Beach or mountains? Beach, please, though I love to ski when given the chance.
  • Coffee or tea? Coffee in the morning, and tea in the afternoon. Writing requires frequent doses of caffeine.
  • Skydive or bungee jump? Neither, thank you very much. I prefer to keep my feet on the ground.
  • Chocolate or vanilla? CHOCOLATE! It’s brain food, right? So there’s no guilt in having some dark chocolate, especially with almonds, or orange, or chili.
  • Winter or summer? Summer. I love the long days.
  • Cake or pie? Peach pie with ice cream. Yum.
  • Cats or dogs? That’s a tough one. Dogs are brave, empathetic creatures, and I’m a secretly in love with Cesar Milan, but dogs are also a lot of work. The truth is, I prefer cats because they’re wonderfully independent and I’m just plain lazy.
  • Pens or pencils? Pens.
  • Truth or dare? Truth.
  • Print or ebook? I read ebooks when I travel, but I prefer to have physical books—especially the ones I love most—close at hand, on the bookshelf, where I can fondle them at will.


Carla Norton

Carla Norton is a novelist, journalist, and true crime writer. Her debut fiction, THE EDGE OF NORMAL, was a Thriller Award finalist in 2014. The sequel, WHAT DOESN’T KILL HER, is coming in June. Carla’s true crime books include PERFECT VICTIM, which was put on the reading list for the FBI Behavioral Sciences Unit and became a #1 New York Times bestseller. She also writes monthly for AlgonquinRedux.com. To learn more, visit CarlaNorton.com, or find her on Goodreads, Facebook, and Twitter.

And you can catch Carla at some of her book tour stops below!
Tues. July 7: Book Culture, 450 Columbus Ave., NYC, 7:00 p.m.

July 8-11: Various events, ThrillerFest, NYC

Wed. Aug. 5: Third Place Books, Lake Forest Park, WA, 7:00 p.m.

Via: JT Ellison


6.15.15 - Today's the big day for BASED ON: Words, Notes, and Art from Nashville

By JT Ellison

I have the greatest pleasure of announcing that today we see the release of a most fabulous original project, and I am honored to be a part of it. My dear friend Chuck Beard told me he wanted to curate a special anthology, with songs based on short stories written by Nashville authors, and I told him I was in before he finished his sentence.

And now, BASED ON is alive!!!!!

All the details are below, but we have a special, one time event TONIGHT– the ultimate launch party, Come see the show, get your copy of the book and CD, and revel in the art this great city produces. Here’s the official announcement. Hope to see you tonight!


East Side Story is incredibly excited to be publishing an anthology titled Based On: Words, Notes, and Art from Nashville! This project is a rich collection of short stories, songs, and visual art prints “based on” one another and thoughtfully arranged in a single printed book that includes a CD of 12 songs. We will celebrate the publication of Based On with a one-night ticketed show at Belmont University’s BEAUTIFUL McAfee Concert Hall Monday, June 15, at 7:00 p.m. We would LOVE for you to join us!

Tickets to the event and pre-sale book purchases may be made at BasedonNashville.EventBrite.com.

Based On: Words, Notes, and Art from Nashville contributors include:

Authors: Chuck Beard, Paige Crutcher, Tony Earley, J.T. Ellison, Cary Graham, River Jordan, Ariel Lawhon, Betsy Phillips, RashadthaPoet (Rashad Rayford), Victoria Schwab, Shawn Whitsell, and Tommy Womack. (Introduction by Craig Havighurst /afterword by Robert Hicks)

Musicians: Kyle Andrews, Boom Forest, Carolina Story, Michael B. Hicks, Griffin W House, Phil Madeira, David Mead, The Coal Men, The Lower Caves, The Rough & Tumble, Tristen Gaspadarek, and Brooke Waggoner.

Visual Artists: Adam Baker, Cory Basil, Carl Carbonell, efharper (Emily Harper Beard), Michael Mcbride, Barry A. Noland, Rebecca Sloan, Julie Sola, and Ian White.

All proceeds from the book and event will benefit the Arts & Business Council of Greater Nashville. Printed copies of Based On will be available at East Side Story and Howlin’ Books after the event on June 15.

We are extremely proud of this project and hope that you will share in our excitement on June 15. Any help sharing this information would be greatly appreciate. See you soon!

Via: JT Ellison


e Marketing tools: Thunderclap!

By noreply@blogger.com (Alexandra Sokoloff)

I’m teaching a five-day workshop at the West Texas AMU Writers Academy this week. It’s a writing intensive in which I have 15 students plotting their entire books in one week. Exhausting, but highly rewarding, and miraculously, yet again we are right on course to get this all done. In five days!

Academy students are very motivated and I always end up doing adjunct sessions on ebook publishing and marketing. So here’s one free marketing resource I’m showing my students – an interesting wrinkle on book marketing called Thunderclap!

Thunderclap! is a crowdspeaking platform that amplifies messages by allowing large groups of people to share a single message together at the same time. Sort of an online flashmob.

I’ve just used Thunderclap! to create a book launch page for the print and audio release of Cold Moon on July 7. People who want to support me and the Huntress series can sign up for an automatic Tweet or Facebook share about the book release on the day, and the Thunderclap site automatically posts the tweets/shares all at the same time. Just once, no follow up, no spam, no need to you to remember, no need for me to bug anyone – and everyone who signs up to support is automatically entered in a drawing for a $25 Amazon gift card!

This is what gets posted:

Cold Moon, #3 of Alexandra Sokoloff’s Huntress/FBI Thrillers, is out today! Now evil has something to fear. #ColdMoon http://thndr.it/1GgkoVo

You can check out the support page to see how it works, here – and also, of course, I’m hoping you’ll sign up to have a Tweet and/or Facebook post go out on my launch day!


I like how the dashboard page (which you can continue to edit up until the day of the Thunderclap) keeps count of the social media reach you’re accruing as people continue to sign up. It’s a much more efficient way of getting your friends and followers lined up to support your book launch. And apparently a Thunderclap can get your book trending on Twitter on release day.

Of course, I’ll report back on results.

Has anyone else tried this?

Thanks for signing up!

Via: Alexandra Sokoloff


Anatomy of a PhD – application process

By PD Martin

I decided to apply for a PhD back in September 2014, and since I received the fantastic news that I got in (!) I’ve been meaning to blog about the process, especially the key milestones. So, this is a retrospective blog on the application process and I’ll write other blogs to catch up with the process over the coming months.

The application process itself is fairly time-consuming, but the effort is well worth it. The first thing to do is look a universities that fit the bill. Things to consider include the university’s creative writing reputation, the course structure, the supervisors and the location (although not as important with a research PhD in this day and age).

While researching some of my top picks (the universities I knew had strong creative writing departments), I discovered that the creative writing PhD in Australia is either via a Doctorate of Philosophy or a Doctorate of Creative Arts. However, regardless of which PhD you enrol in, the structures can be very different across universities. A research PhD in creative writing consists of:

  1. A creative writing piece (e.g. a collection of short stories or poems, or a novel/novella).
  2. An exegesis (a researched, academic paper that ideally addresses a gap in the current research).

Now, the balance (and word counts) assigned to these elements vary. Some universities require a 50,000 word novel (novella) and a 50,000 word exegesis. I didn’t feel this break up was conducive to producing a viable, publishable novel — plus, to be honest, it wouldn’t play to my strengths. I’ve got a lot more experience as an author/novelist than writing academic papers and theses. So for me, my first point of difference was to look at the structure and investigate universities where the creative-to-exegesis ratio was more like 70:30.

The next (and arguably most important element) to research was each university’s supervisors. Basically, you need to match your writing and potential research field with the academic staff at each university. Some universities have a central application system (you send in your proposal and the co-ordinator discusses it with the staff to see if anyone’s interested) but at most of the universities I investigated the onus was on the applicant to research the academic staff and approach them directly to gauge interest. This probably takes as much time (maybe more) as actually writing the proposal!

Finally, I considered the university’s location, but it wasn’t a deciding factor for me. Again, because for much of the time you’re working autonomously the university doesn’t have to be nearby or even in the same state, Once you’re up and running, you do ‘meet’ with your supervisor fortnightly, but these meetings can be done with a combination of emails, phone calls and in-person meetings.

I was lucky enough to get a couple of offers in the end, but I chose Adelaide University. The things I love the most about Adelaide University are its creative writing reputation and my supervisor Brian Castro (who recently won the Patrick White Literary Award and has been shortlisted for the Miles Franklin four times). As I shift my writing focus, I believe Brian will be an invaluable guide along the way.

So here’s to the next three years!

Via: P.D. Martin


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